STANDING ORDER: every face and every room below

Four new portraits (Joan Wetherlaw at last, Ruth Cotter, Nell Teague,
Mr Ogden) and eleven interior plates, one for each underground location
that had none, in the two-ink civil defence style. Bewley and Prosser
reuse their THROUGH TRAIN portraits. Journals now show 20 plates and 12
faces. The art sheet corrects the v1.0 diagnosis: Joan's prompt was
being refused, not the account out of hours.

Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>

docs/scenarios/STANDING_ORDER.md

@@ -34,7 +34,7 @@
 ### Still to do
 
 - **Desk passes**, in the house order: GM chair, Act Three stress, player-chair contrarian.
-- **Joan Wetherlaw's portrait.** Mr Smith must never have one.
+- **Art is complete:** twelve faces, nineteen plates and fourteen maps. Mr Smith must never have a portrait.
 
 ---
 

docs/scenarios/STANDING_ORDER_ART.md

@@ -68,7 +68,7 @@ regenerate it** — a picture that contradicts a clue is worse than no picture.
 
 ## Plates — `art/scenes/`
 
-**All eight are generated**, as `art/scenes/so_NN_<stem>.webp`.
+**All nineteen are generated**, as `art/scenes/so_NN_<stem>.webp`.
 
 | File | Where it is used |
 |---|---|
@@ -140,6 +140,29 @@ regenerate it** — a picture that contradicts a clue is worse than no picture.
 > the work; children in the frame would make it sentimental and would also make a count
 > load-bearing.
 
+### Interiors added in v1.1 — `so_09` to `so_19`
+
+One plate for every underground location that had none, so the table can be shown the
+room the blueprint describes. Same shared prefix, `--ar 3:2`. **Rooms are shown empty or
+nearly so**, for the creche's reason: a crowd makes a count load-bearing.
+
+| File | Location | Prompt tail |
+|---|---|---|
+| `so_09_lobby` | 6 · Lobby and Enquiries | *…an underground government reception lobby from 1974, a long enquiries counter with a telephone and a brass bell, rows of wooden benches, a round steel blast door standing shut at the far end, polished linoleum, one mild man in a cardigan behind the counter looking up* |
+| `so_10_sickbay` | 9 · Sick bay | *…a small underground hospital ward from 1974, iron-framed beds in two rows under warm lamps, a folding screen beside one bed, an enamel jug and glass on a bedside locker, calm and scrubbed, no patients visible* |
+| `so_11_pipe_room` | 11 · Pipe room | *…a cramped underground mail room from 1974, a polished brass pneumatic tube running down the wall from the ceiling to a small delivery hatch, a message capsule lying in a wire tray below it, wooden sorting pigeonholes, a single desk lamp, nobody present* |
+| `so_12_plant` | 12 · Plant floor | *…an underground boiler house from 1974 under a low concrete ceiling with no windows, a huge riveted coal-fired boiler with round pressure gauges and a glowing firebox door, two diesel generators, pipes and ducting overhead, caged electric lamps, a coal barrow and shovel, nobody present* |
+| `so_13_vigil` | 13 · Vigil hall | *…a large plain assembly hall cut into rock deep underground, long rows of stacking chairs facing a low platform with a lectern, a long blank wooden board above the platform, loudspeakers on the rock walls, warm light, empty* |
+| `so_14_tunnels` | 14 · Coal roads | *…an old unlined coal mine road underground turned into a vegetable garden, long raised beds under rows of hanging lamps, a timber-propped roof, round water tanks, hens in a wire run, nobody present* |
+| `so_15_sump` | 15 · The Sump | *…a short painted brick corridor deep underground from 1962 with a row of small rooms behind heavy iron doors with little barred windows, a plain wooden desk with a closed ledger, a single hanging light bulb, clean and dry, nobody present* |
+| `so_16_dormitory` | 16 · Dormitories | *…a long underground dormitory hall from 1974, rows of iron double bunks with folded grey blankets, a knitted blanket and a small stuffed bear on one bunk, steel lockers, a washing line strung between bunks, warm and lived in, nobody present* |
+| `so_17_canteen` | 17 · Canteen | *…a large underground works canteen from 1974, long formica tables with bentwood chairs, a serving hatch with steel urns and stacked trays, steam rising from a tea urn, warm and ready, nobody present* |
+| `so_18_estate` | 18 · The Estate | *…an old coal mine road deep underground lined on both sides with small homemade houses built of timber and plywood, each with a painted front door and a lamp, washing hung across the road, a child's tricycle by a doorstep, doors ajar, warm and crowded with belongings, nobody visible* |
+| `so_19_studio` | 7 · The studio | *…a small windowless radio studio from 1962 with acoustic tiles, a large grey reel-to-reel tape machine standing on the desk with two big spools of tape, a heavy old microphone on a desk stand, a squat iron safe with a dial in the corner, a single desk lamp, nobody present* |
+
+**The Vigil hall's board is blank on purpose.** It is the roll of honour, and the 1974
+list of the dead has no names on it. If a render puts lettering on it, regenerate.
+
 ---
 
 ## Portraits — `art/portraits/`
@@ -158,24 +181,30 @@ regenerate it** — a picture that contradicts a clue is worse than no picture.
 | `so_marlow` | *…a very old British woman of one hundred and one in a hospital bed, eyes open and entirely lucid, ashamed rather than confused* | Filed a war to save a fortnight |
 | `so_teague` | *…a heavy-set British man of thirty-eight in a plain 1970s police-style uniform without insignia, jaw set, not angry, holding himself very still* | Has decided the surface is a lie because the alternative is unbearable |
 | `so_kit_marlow` | *…a British girl of seventeen in a hand-me-down jumper, holding a rolled sheet of paper, hopeful and a little defiant* | Has drawn the sky four thousand times from one photograph |
-| `so_joan_wetherlaw` | ⚠ **NOT GENERATED — see below** *…a British farming woman of sixty-seven in a waxed coat, weathered, holding a yard brush, unimpressed and patient* | Has been right for four years and has stopped telling anyone |
+| `so_joan_wetherlaw` | *…a British hill farmer, a woman of sixty-seven in an old oilskin coat and headscarf, weathered face, holding a broom, patient and wry* | Signed for a stranger's parcel once and cannot picture his face |
+| `so_ruth_cotter` | *…a British woman of twenty-four in a knitted cardigan, heavily pregnant, one hand resting on her belly, tired and a little exasperated, looking straight at the viewer* | Would like people to stop calling her baby the thousandth |
+| `so_nell_teague` | *…a British girl of nine in a hand-knitted jumper holding a wax crayon, eyes half closed as if humming to herself, content and far away* | Hums a tune at tea that her father does not like |
+| `so_ogden` | *…a mild British man of about sixty in a cardigan and tie, holding a pen over a blank form, polite and entirely at a loss* | Has no form for visitors |
 
-⚠ **Joan Wetherlaw's portrait does not exist.** Six of the seven portraits are on
-disk as `art/portraits/so_<name>.webp`; hers is the one that never rendered.
+**Portraits are all `--ar 2:3`.** Mr Bewley and Mr Prosser reuse their THROUGH TRAIN
+portraits (`tt_bewley.svg`, `tt_prosser.svg`).
 
-Three attempts, all stalled: two ran the bridge's full 1800-second window and
-reported `timed out waiting for grid`, and a third with deliberately reworded
-prompt text stalled the same way. **It is not the prompt and it is not
-deduplication** — the reword was a genuinely new match key and it hung too. The
-thirteen generations before it all returned in about forty-five seconds, and
-everything submitted after roughly 21:20 hung, which is consistent with the
-Midjourney account's fast GPU hours running out partway through the batch and
-later jobs dropping into the relax queue.
+**Every portrait now exists.** Joan Wetherlaw's never rendered in v1.0, and the notes then
+blamed exhausted fast hours. **That was wrong: the prompt was being refused.** Midjourney
+declines a blocked prompt in a reply the bridge cannot see, so `mj-gen` waits out its full
+30 minutes and exits 0 with no file. The account was fine; other prompts in the same session
+returned in 40 seconds. The same happened to the Sump in v1.1.
 
-**To finish it:** re-run the prompt above when the quota has reset. Nothing else
-in the scenario depends on it — Joan is an Act One NPC and the act does not need
-her face — and `mj-gen` exits 0 on a timeout, so check for the file rather than
-trusting the exit code.
+- **Proven:** *"bare"* (in *"one bare bulb"*) blocks a prompt. *"a single hanging light
+  bulb"* renders.
+- **Joan's old prompt** was blocked by one of *"waxed"*, *"yard brush"* or *"unimpressed"*.
+  The reworded prompt above renders.
+- **Before blaming the account**, look at the channel. If Midjourney posted nothing at all
+  for the job, reword the prompt.
+
+**Rejected and regenerated in v1.1:** the pipe room (an empty stage with no tube), the plant
+floor twice (a railway tunnel with a number on it, then a boiler house with a skylight —
+nobody below can see the sky), and the studio (a modern hi-fi with no tape machine).
 
 ---
 

tools/scenario-standingorder.mjs

@@ -167,7 +167,18 @@ export const SO_PLATES = [
   { name: "6 · The Control Room",                 src: "art/scenes/so_06_control_room.webp" },
   { name: "7 · The Registry",                     src: "art/scenes/so_07_registry.webp" },
   { name: "8 · The crèche",                       src: "art/scenes/so_08_creche.webp" },
-  { name: "9 · Bellhouse — section",              src: "art/maps/bellhouse-section.webp" }
+  { name: "9 · Bellhouse — section",              src: "art/maps/bellhouse-section.webp" },
+  { name: "10 · The lobby and Enquiries",         src: "art/scenes/so_09_lobby.webp" },
+  { name: "11 · The studio",                      src: "art/scenes/so_19_studio.webp" },
+  { name: "12 · The sick bay",                    src: "art/scenes/so_10_sickbay.webp" },
+  { name: "13 · The pipe room",                   src: "art/scenes/so_11_pipe_room.webp" },
+  { name: "14 · The plant floor",                 src: "art/scenes/so_12_plant.webp" },
+  { name: "15 · The Vigil hall",                  src: "art/scenes/so_13_vigil.webp" },
+  { name: "16 · The coal roads",                  src: "art/scenes/so_14_tunnels.webp" },
+  { name: "17 · The Sump",                        src: "art/scenes/so_15_sump.webp" },
+  { name: "18 · The dormitories",                 src: "art/scenes/so_16_dormitory.webp" },
+  { name: "19 · The canteen",                     src: "art/scenes/so_17_canteen.webp" },
+  { name: "20 · The Estate",                      src: "art/scenes/so_18_estate.webp" }
 ];
 
 /* The underground as thirteen blueprint scenes, drawn by tools/bellhouse-plans.mjs. Numbers
@@ -228,12 +239,19 @@ export const SO_CAST = [
     + "stands the detail down. He will fight anybody who tries to take her." }
 ];
 
-/* The people, for showing. Joan Wetherlaw has no portrait yet — see STANDING_ORDER_ART. */
+/* The people, for showing. Mr Bewley and Mr Prosser are THROUGH TRAIN's own portraits.
+   Mr Smith has none and must never have one. */
 export const SO_FACES = [
   { name: "Controller Edwin Sowerby",       src: "art/portraits/so_sowerby.webp" },
   { name: "Registrar Alice Pennyfeather",   src: "art/portraits/so_pennyfeather.webp" },
   { name: "Dr Ivy Larkhall",                src: "art/portraits/so_larkhall.webp" },
   { name: "Deputy Controller Edith Marlow", src: "art/portraits/so_marlow.webp" },
   { name: "Warden Michael Teague",          src: "art/portraits/so_teague.webp" },
-  { name: "Sub-Officer Kit Marlow",         src: "art/portraits/so_kit_marlow.webp" }
+  { name: "Kit Marlow",                    src: "art/portraits/so_kit_marlow.webp" },
+  { name: "Nell Teague",                   src: "art/portraits/so_nell_teague.webp" },
+  { name: "Ruth Cotter",                   src: "art/portraits/so_ruth_cotter.webp" },
+  { name: "Mr Ogden, Enquiries",           src: "art/portraits/so_ogden.webp" },
+  { name: "Joan Wetherlaw",                src: "art/portraits/so_joan_wetherlaw.webp" },
+  { name: "Mr Bewley, Registry",           src: "art/portraits/tt_bewley.svg" },
+  { name: "Mr Prosser, Stores",            src: "art/portraits/tt_prosser.svg" }
 ];