5aaae186e078e600df0b3bf658198705187bef1b
7
Commits
| Author | SHA1 | Message | Date | |
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 slaguru666andClaude Opus 5
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5aaae186e0 |
A fumbled relief attempt puts a point on
Trying to steady somebody and making it worse is the most familiar thing on that list, and until now it was the only outcome that cost nothing. Done as a NEGATIVE relief rather than a second code path: panicReliefFor returns -1 on a fumble, and easePanic already subtracts what it is given, so subtracting a negative raises the track. One number, one direction, no branch that could drift from the other. The clamp still holds — fumbling at 5 stays at 5. The chat card had to be told, because otherwise it prints the word "Psychology" over a number that has just gone UP and the table reads that as a bug rather than as the rule. It now leads with a red FUMBLED tag. Guarded three ways: a spot-check in check-rules for the -1 itself, and two behaviour tests — one that the sign survives easePanic's subtraction and actually raises the track, one that it cannot push past the top. A test on the constant alone would have passed even if easePanic had healed on a fumble. Verified live: 2 → fumble → 3 → success → 2 → special → 0, and a fumble at 5 staying at 5, with the cards reading correctly. Version 1.1.2. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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slaguru666andClaude Opus 5
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cbad87ba98 |
Add Occult, Religion and Psychology, and the Panic track
From the first game's list. The three skills are not decoration — they are the
levers on the new track, which is why they arrived together.
PANIC, 0 to 5, up. It is the other half of Coherence and the rules page says so
in the first line, because a table that confuses them will make the wrong call
at the worst moment:
Coherence what knowing has cost you weeks 10-0, down
Panic what is happening to you NOW minutes 0-5, up
A trigger gives a point with NO ROLL. Asking for a die to find out whether you
are frightened slows the scene and tells the player how to feel; the die is for
getting rid of it, which is the interesting direction.
0 steady · 1 rattled · 2 shaken -5% · 3 losing it -10%
4 overwhelmed -20% · 5 broken
The first point is free on purpose, so the opening shock of a scene costs the
table nothing. At 5 you break — freeze, flee or fixate, choose fast — and come
back at 3, not at 0, because breaking is not a rest.
Relief is where the skills come in. A success takes one point, a special takes
two. Psychology is the only thing that steadies somebody who is NOT you.
Religion steadies you alone and does not care whether you are right. Occult is
the odd one: naming a thing correctly, out loud, helps everybody who can hear —
the department's actual work, and the only relief that reaches a room. Plus
POW×5 to steady yourself, and your anchor object once per case, which is what
that briefing scene was for.
The three skills are placed in six registers rather than left floating: Occult
to the professor and to Registry, Psychology to the doctor and to Interview,
Religion to Antiquities and Pathology.
Guards, because a track nothing reads is this project's oldest failure: the five
new rules carry spot-checks in check-rules, and check-behaviour gains nine tests
— the free first point, monotonic penalties, only 5 breaking, clamping at both
ends, breaking not clearing the track, special taking two, every band/trigger/
relief having a label, and every relief naming a skill the catalogue actually
has.
Verified in a live game: penalty reaches the roll (58 → 58 → 53 → 48 → 38 for
panic 0-4, criticals and specials recomputed with it), the full arc runs 0 → 2 →
4 → eased to 2 → pushed to 5 → breaks → 3 with no errors, the sheet shows the
band, and the rules journal has a Panic page generated from the same tables.
Version 1.1.0.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
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slaguru666andClaude Opus 5
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9b6c61ffcb |
Turn the custom Dice So Nice skins off
Registering them with "preferred" made them the default for everybody in the world, which overrides whatever dice a player had already chosen — the system helping itself to a setting that belongs to the user. Off at the author's request. One named constant rather than a settings API: this codebase registers no game settings at all, and adding that surface, its lang keys and its UI to switch one feature off is more machinery than the job needs. Flip RB_DICE_ENABLED to true and everything below it still works. The textures in dice/ and the generator behind `npm run dice` are left alone. Nothing reads them while this is false, and deleting work in order to turn a feature off is a poor trade. Verified in a running Foundry with Dice So Nice active: "custodians" is no longer among the registered systems, and preferredSystem has gone back to "standard" rather than ours. Version 1.0.6. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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slaguru666andClaude Opus 5
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02ec47a351 |
Fix every NPC sheet, which has never opened
npc-sheet.hbs line 43 read
{{#if (lookup ../skillsByCategory key).length}}
and Handlebars cannot read a property off a subexpression. That is a PARSE
error, so the template never compiled, so every NPC sheet in the system threw
on click — Natives & Threats, the starter's enemy roster, and the whole LAST
ADMISSION cast. #if already treats an empty array as falsy, so the .length was
never doing anything in the first place.
It was invisible to all four existing guards, and the reason is worth writing
down: check-rules reads .mjs, check-behaviour says in its own header that it
cannot reach sheets, and every play-through in this project has driven the
system through its API rather than by clicking. Nobody had ever opened an NPC
sheet, including me, in any of the sessions that "played through" scenarios
full of NPCs.
So: check-templates.mjs, a fifth guard, compiling every .hbs in about a tenth
of a second, wired into the build ahead of check-behaviour. It also names the
specific shape — a property read off a subexpression — because the raw parse
error says only where. Verified it bites by reintroducing the bug. Handlebars
is a devDependency now.
Opening the sheet then showed a second thing nobody had seen: the NPC skill
rows carry four children and were using the character sheet's seven-column
grid, so the name landed in a 13px column and the whole list overlapped
itself. The NPC row now has its own four-column template.
Verified by opening all six LAST ADMISSION cast sheets with an error hook
attached: six rendered, no errors, and Old Marrow reads HP 20/20, major wound
10, armour 2, Brawl 60%, Melee Weapon (Polearm) 60%.
Version 1.0.1.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
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slaguru666andClaude Opus 5
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c595bf5a33 |
Tidy the compendium, and release 1.0.0
Three things were untidy, and one of them was a stale declaration of exactly the
kind this project keeps producing.
- packFolders named ten packs of seventeen. Talents, the Quiet Arts, the
primer, the rules and all three scenarios were sitting loose in the sidebar
because the declaration was written when there were ten packs and never
revisited. It now covers all seventeen in four subfolders under one parent
— Scenarios, Characters, Equipment, Rules & reference — and the build
asserts the folder list and the pack list are the same set, so it cannot
drift again.
- Labels were off-pattern in three places ("Transport", and the two prologues
reading "Custodians: Prologue — X"). Everything is "The Custodians · X".
- Thirty-six pregens in one flat list. The pack now carries three compendium
folders — Duty roster (16), Before the department (16), Original pregens
(4) — and every actor is filed. Nothing unfiled.
Worth knowing, and verified against Foundry's own source rather than guessed:
packFolders only assigns a pack that has NO existing entry in the world's
core.compendiumConfiguration, and the routine only runs when the set of active
packs changes. So a world that already has this system installed keeps whatever
layout it had; the new one applies to a new world. The local world was brought
into line by writing the configuration directly.
Version 1.0.0.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
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slaguru666andClaude Opus 5
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1bf8d7f6fb |
Playtest LAST ADMISSION: five fixes, one new guard
Played it through in Foundry with the six on their civilian sheets. Five
defects, all of the house's favourite kind — a number written down that nothing
reads.
1. Pollard and Agyeman were armed and armoured as CIVILIANS. The police trade
kit carries a revolver and a stab vest, which is right for a serving
officer and wrong for a British civilian, and it ended the scenario's only
fight in a single round. expandFromRegister's civilian mode now strips
firearms and body armour from trade kit as well as induction and standing
issue, and the build throws if one gets through. Wren Finch keeps her
knife — a knife is not an issued weapon.
2. Old Marrow's shears were a utility knife. The page said 1d8+1; the actor
in the pack held 1d4+2, so a GM running off the token had a different
fight from the one written down. He now carries a billhook — an actual
garden tool that is already in the catalogue — and the page says 1d8+2,
which is what a billhook does.
3. He was too soft to be the fight the scenario promises. At the original
numbers he died in an average of 2.4 rounds and in 6 runs of 20 he was
dead before he ever swung. Retuned over thirty runs to HP 20, armour 2:
about four and a half rounds, somebody hurt in 28 of 30, somebody dropped
in 9 of 30. The verification run took four rounds and left Pollard on
eight hit points.
4. Two stat lines disagreed with the generated sheets — Marrow 16 against 15,
Enderby 13 against 12.
5. Two rolls had no failure written: the body, and Sammy's ankle pull. The
body is now marked "no roll" outright, because there is no better answer
to buy. The pull has a fumble result.
New guard: check-behaviour parses the scenario's own fight line out of the page
HTML and compares it to the actor the build will generate — hit points against
hitPoints(CON,SIZ), armour against naturalArmour, and shear damage against the
catalogue entry for whatever he is actually holding. Verified it bites by
reverting the damage to 1d8+1.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
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slaguru666andClaude Opus 5
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d063b3c016 |
Add LAST ADMISSION, a two-hour haunted-house prologue
OPEN DAY was too complex for a first night: a fixed timetable the GM narrates minute by minute, three things that must be left unresolved, ten serial approach scenes, and no combat. This is the replacement opener — same premise engine, a third of the moving parts, and something to hit. A cheap scare attraction on the last night of its six-week run, in a real empty hall, with paying public still inside. Three of the ghosts on the poster were invented in an afternoon by a marketing agency, printed on the tickets and the wall panel and the call sheets, and performed forty times a night to twelve thousand people who agreed to believe them for eighteen pounds each. They are in the building now. They are not ghosts, they are entries, and they have exactly as much inside them as was written down — a page each, which they do, and nothing else. That makes them simple to run and simple to stop: hurt them, or break the script. Both work; the script is faster and cheaper, and a table that finds it should feel clever. The fourth name on the panel was copied off a memorial in the parish church because the layout needed four. Edith Crane was real, died in a real fire here in 1963, and nobody wrote her a page because nobody had to. She never attacks, cannot be hurt, and will not speak until she is asked her name. She wants her name off a poster. The night ends on whether it comes down tonight or on Monday — and Monday is two performances away. Written for the second intake specifically, on their civilian sheets, with each one's job as their way in: Renshaw is IN the show and knows the running order, Ferriby wired it, Sharrock built the sets, Pollard is on the door, Braithwaite and Ashcroft paid to get in. Each shortcuts a different part of the middle and none of them is required. Art: eight plates commissioned, seven kept. The wall panel plate was cut after two attempts both produced three frames instead of four — a picture that contradicts a count the scenario turns on is worse than no picture, so the panel is a handout the GM shows rather than describes. The freed green-room plate went onto the Act One page, where the call sheet is. OPEN DAY stays in the repo as the longer, quieter alternative; both scenarios say plainly which is which and that nothing depends on the choice. Verified in Foundry: the adventure imports, six cast, seven GM pages, five handouts, plates load. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |