fa30909dc9d2c265ecb05ab156ee2f57a4306660
16
Commits
| Author | SHA1 | Message | Date | |
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 slaguru666andClaude Opus 5
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fbe6288c94 |
CLEAN GROUND: re-roll the column plate, and record what the crossing costs
cg_05_column re-rolled and replaced. It now has Ivy a half-step ahead of the line with both hands held open and visible, which is the beat the read-aloud actually describes — "one woman walks forward with her hands held where you can see them". The line behind her is still drawn uniformly, so the six at the back remain indistinguishable, which is the one hard rule in the notes. cg_04_crossing is unchanged. Seven attempts did not beat the original: the plate has to be grey and dead and empty, and the generator supplies any two. The original's livestock are confirmed real rather than rocks — a crop of the hillside shows grazing animals and a barn — so the defect stands, recorded in STATUS rather than quietly kept. What the failures taught is now in CLEAN_GROUND_ART.md, because it is worth more than the plate: - Naming a thing to exclude it puts it in. "No birds, no sheep, no movement" and "the grey is dust and not snow" produced, respectively, livestock and snow. Both negations summoned what they forbade. - Steering off snow steers into summer: the moor comes back green and alive, which is worse than either. - A long --no list stalls the job outright. Four consecutive prompts with ten or more exclusions never produced a grid; the same prompt with four returned in two minutes. - Filter words costing a 30-minute timeout each: wound, dead ground, lifeless, smothered, and shot — including in "nobody in shot". Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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slaguru666andClaude Opus 5
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310d342767 |
CLEAN GROUND v0.25 — the artwork, generated and placed
Seventeen assets through the Midjourney bridge: six NPC portraits at 512x512 in art/portraits/cg_*.webp and eleven scene plates at 1024x682 in art/scenes/cg_*.webp, matching the dimensions every other scenario in the system already uses. CLEAN GROUND had none; LAST_ADMISSION has 8 plates, OPEN_DAY 10, THROUGH_TRAIN 13. The art direction holds: 1962 Ministry drawing-office hand, pen and ink with pencil shading, dyeline blue-grey wash, buff card grain and a ruled margin, so the far side is drawn on the same paper as the Registry corridor. Ivy reads as competent rather than frail, and cg_05_column obeys the one hard rule in the notes — the six at the back are drawn exactly like the other thirty-five. Three prompts had to be reworded around Midjourney's filter, which declines ephemerally and leaves mj-gen waiting out its full 30-minute timeout on silence. "An empty dog lead WOUND twice round one fist" cost 23 minutes before the pattern was recognised; "nobody in SHOT" and "nothing behind its face" were found by scanning the remaining prompts rather than by hitting them. Two misses recorded in STATUS rather than quietly kept: - cg_04_crossing appears to have livestock on the hillside, and the point of that scene is that every sheep is gone. - cg_05_column has no Ivy; the line is uniform where the text has one woman a half-step forward with her hands open. Neither stops the scenario running. Eight of the seventeen were inspected against their briefs in detail, including every plate carrying an explicit rule. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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slaguru666andClaude Opus 5
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2d4f7f18be |
Twenty-four new creatures, and the anatomies finally get used
The bestiary goes 22 to 46: eight more FOLKLORE, eight more HORROR, eight more FORWARD. Ten of the forty-six are now Vesh or Cadence, up from two. That ratio is the point. Both anatomies have had complete hit-location tables, body geometry, species talents and location effects for the whole life of this project and nothing used either, so none of it ran outside the character generator. They are now written to be WORTH the anatomy rather than to wear it: - The relay is five Cadence bodies holding a crossing open, and the crossing closes as they are destroyed. No vital, no head, 10% off everything per body lost - it cannot be dropped and cannot be ignored, which is the species argument entire. - The courier is a Vesh that fights at half rating while its one grasp limb is full. Disable the limb and it drops the consignment and fights properly. The whole encounter turns on a trade the party has to work out. - The census cannot be usefully fought at all: no head means no killing shot, so the fight lasts until somebody opens the ridge, by which time it has counted everyone. - Knockers are the only folklore Cadence, and the committee is a Cadence because a committee IS several bodies and one decision. The rest is written to the house line that most of these are arrangements rather than fights, because a bestiary where every answer is a gun has one page. The washer at the ford will not fight and cannot be made to; the apple tree man wants a drink it has been owed since 1961; the waiting room's exit was never locked and nobody stands up. Measured, 250 runs against four duty-roster agents, seed 11. Nothing accidental turned up: the non-combat entries sit at 0.0-0.1 agents hurt, the fighters at 1.4-2.3, and the only creature over a 10% solo wipe is the stanchion at 14.4% - which is a fixed object with 12 armour whose own tactics say it is a demolition problem and not a fight. The harness can only force a fight, so read that number as "the party punched the pillar". Art regenerated: 24 new portraits, and the eight new non-humans verified to draw exactly as many body parts as their location tables have entries. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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slaguru666andClaude Opus 5
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f88c31649c |
The bestiary's first non-human creatures
vesh and cadence have had complete hit-location tables, body geometry, species talents and location effects since they were written, and no creature had ever used either. So none of that had run outside the character generator, and the whole bestiary was hit-located as a person - including a black dog and a stack of paper. THE CHOIR IS A CADENCE. It always was: its tactics say "run them as ELEVEN separate bodies with one initiative between them", which is Distributed and Quorum described in prose because the species that models it had no users. Retagged, and given the two talents. No scenario prose refers to it, so nothing else moves. PRECEDENT is new, and is a Vesh - the first. Built to exercise what makes the species different rather than to be another sack of hit points: no head, so no fight against one ends on a lucky roll, and a sensory ridge for a vital that runs the length of its back and is correspondingly easy to hit. It is also not hostile, which is the point; the encounter is a conversation with something that answers questions about an event that has not happened yet. Two things left deliberately unfixed and written down rather than fudged: - The choir is eleven in the fiction and five in the location table. Reconciling it properly means giving cadence a per-creature body count, which stops the table being a constant and makes the paper doll follow it. That is the right fix and it is not a small one. A note on the spec says so. - Precedent gets unblinking but not out_of_step, though SPECIES.vesh grants both. An npc actor has no Coherence track, and out_of_step costs 1 to use. Also corrects a comment in creature-schema.mjs claiming Out of Step is vesh-locked. It is not - five postings and a roster agent offer it to humans, and locking it would take it off all six. SPECIES[x].talents is what a species is GRANTED; TALENTS[].species is what only that species may HAVE. Two different fields, and only the second locks. Simulated: Precedent 0.68 of 4 hurt over 3 rounds, no wipes. The choir alone is trivial; at the eleven its own tactics call for, 3.05 of 4 hurt, median 18 rounds, 0.3% wipes. Read both as floors - the harness does not model hit locations, so a Cadence's entire mechanical identity is exactly what it cannot yet measure. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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slaguru666andClaude Opus 5
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9ddea43720 |
make-portraits: every creature gets art it cannot disagree with
Sixty of the seventy-six actors had no portrait. The sixteen that did are the hand-made duty roster; the whole bestiary and every scenario NPC fell back to a generic silhouette. The point is not that this is free. A portrait composed from anatomy.mjs cannot contradict the statblock, because it is drawn from the numbers the hit-location roll uses: silhouette from BODY_ART, height from SIZ, build from STR against SIZ, plating from naturalArmour, a mark for the primary weapon's class. A Cadence would get five bodies because its table has five. Nothing has to be kept in step. Colour carries what a GM wants off a thumbnail — whether the thing is a person, folklore, recovered machinery, or the far side. That reads the shouted category the role lines already carry (FOLKLORE, HORROR, FORWARD), which nothing was using, and falls back to structure for the ones with no tag. build-packs resolves portraits by stem and extension rather than an exact .webp filename, so a creature gains art without an edit to content.mjs and a hand-made raster always beats the generated diagram. A spec that NAMES a portrait and has none is still a hard build failure. These read as diagrammatic field-guide plates and will not match the Midjourney agent portraits. That split is deliberate: the agents are the cast, the bestiary is case material. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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slaguru666andClaude Opus 5
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214e207cc6 |
THROUGH TRAIN: north bench plate without the park bench
Midjourney read "bench" as furniture in the first version. Regenerated with the word removed and "no furniture" stated: two coated figures from behind, empty ground, a dry gully, the town's water tank on the far horizon. Emptiness is the subject, which is what the scene is for - they arrived where the paperwork says the railway is. All thirteen plates are real art and there are no placeholders left. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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slaguru666andClaude Opus 5
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8a4d093a13 |
THROUGH TRAIN: the Bureau plate, and no placeholders left
tt_11_bureau regenerated after the first attempt timed out, converted to the house plate format. All thirteen plates are now real art. A version of tt_12_northbench without the word "bench" in the prompt is still rendering; the current one is good apart from the park bench Midjourney put in the desert. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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slaguru666andClaude Opus 5
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67b6f61c64 |
THROUGH TRAIN: two of the three new plates are real art now
tt_12_northbench and tt_13_standoff replace the placeholder copies. Converted to the house plate format, 1024x682 webp, to match the other ten. The Bureau plate timed out in Midjourney at 1800s waiting for a grid and is still a placeholder; it is regenerating. Known flaw in tt_12_northbench: Midjourney read "bench" as furniture and put a park bench in the Nevada scrub. Everything else about the plate is right - two coated figures, empty ground, no railway, the town smoking on the horizon - so it ships while a version without the word regenerates. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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slaguru666andClaude Opus 5
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973b4a53aa |
THROUGH TRAIN rewritten into five acts
Act One is now an induction at the Bureau, Act Two puts the players through the crossing and makes them find the train, Act Three is a town-side obstacle, Act Four is the boarding, Act Five is the four minutes. 4h00 in five acts, was 3h30 in three. The restructure earns one thing the old shape could not: THE CROSSING OPENS WHERE THE RECORD SAYS THE LINE IS, which is an empty bench of scrub on the wrong side of the wash. The agents arrive where the paperwork put the railway, not where the railway is, so the fraud is the ground under their feet and finding the train is real work. Registry's file has this wrong and Bewley believes the file. - Act Three: Rance Doyle and five unpaid miners take the agents for company detectives, and they are not wrong to. Resolves on what the players SAY - no roll makes it go away, no roll makes it a fight. Losing costs them the 1881 issue, not their lives. His brother Tom is aboard and dies at minute two of every pass, which is the wiring between the acts - new cast: Bewley, Prosser, Rance Doyle, Shard, Tom Doyle, Cordera man - new handouts: the company notice, and the six names in Ambrose's hand - 8 GM pages, 10 handouts, 15 actors, 13 plates MEASURED, 400 runs each: the Act Three standoff is 0.4/4 hurt from cover and 1.25/4 in the open, both ending early - but FOUGHT TO A FINISH it puts 1.75 of 4 down and wipes the party in 24% of runs. The early stop is what makes the act survivable, not the miners being weak. My first draft of that table was guessed and wrong in all three rows. FOUND AND FIXED: there is no Ride skill in this game and never has been. The boarding set-piece has asked for "[CUS: Ride, then Athletics]" since it was written, through a playtest, which is an instruction to roll a thing nobody has. Horses are now handled by a local and the agent rolls Athletics. NEW GUARD: check-scenarios resolves every [CUS: Skill] tag in every scenario against SKILL_CATALOGUE and fails the build on a skill that does not exist. Verified it fails on the real bug before wiring it in. Sixth guard. NOTE: the three new plates (Bureau, north bench, standoff) are placeholders in this commit - Midjourney is still rendering them. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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slaguru666andClaude Opus 5
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5bc46879c7 |
THROUGH TRAIN: put the gunfight inside the loop
The loop is no longer just a train going round. It is FOUR MINUTES with a
gunfight in it, and those four minutes have run about two million times.
Two sides, and neither is the villain. Cass Merritt and three hired men have a
signed letter of engagement from the company telling them to surrender the
payroll to nobody "upon any pretext whatsoever, including the presentation of
any paper". Josiah Ambrose and four Cordera miners have a sealed writ of
attachment from a territorial judge naming that same payroll against eleven
weeks of unpaid wages. Both documents are genuine. Neither man has seen the
other's. The company sold the same money twice and is not aboard. Both are
handouts now, and they only mean anything held in the same hand.
The mission is restated everywhere it appears — briefing page, case brief, GM
essentials: CLOSE IT. Closing the crossing does not kill anybody, it lets them
go. The loop ends, 3 November 1881 resumes from 11:44, and everyone aboard walks
forward into the life they would have had — including Ambrose and a miner named
Doyle, who did not survive the real four minutes. The agents are not choosing
who lives; they are choosing to stop holding history still, having met the
people it lands on.
The standing order is louder in three places: NOTHING MODERN GOES THROUGH.
Two things the playtest found, both now written into the text:
- THE FIGHT WAS A TPK GENERATOR. Modelled with all nine shooters firing at the
party it wiped them 171 times in 200. The model was wrong — the two sides
are shooting at EACH OTHER — so the scenario now carries a measured exposure
table: head down draws nothing, acting from cover costs half a party member
and no wipes over 300 runs, moving in the open costs one, and going for the
payroll box wipes more than half of all parties. The GM is told to say that
last row out loud BEFORE anybody commits to it.
- THE LOOP RESETS AND THE AGENTS DO NOT. Everyone who belongs to 1881 is back
up unhurt on the next pass. The agents keep their wounds. Nothing said so,
and a player who assumes otherwise takes risks that kill them. It is now
stated in capitals in both documents, with the played pass that prompted it
— two of four down at 0 hit points, one untouched because he stayed on the
floor.
Nine cast members, eight handouts, ten plates.
Version 1.4.0.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
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slaguru666andClaude Opus 5
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774e95dea8 |
THROUGH TRAIN — the crossing starter, and two more playtest fixes
A train has been running the same four miles of track since 3 November 1881. It
has never stopped. Sixty-one people are aboard and all of them are alive.
The supernatural is science fiction underneath, which is the point. A railway
company laid track to a filed survey instead of to the ground, then described the
line as being where it was not — ten thousand times, in timetables and waybills
and telegraph orders, for six months, at a constant speed. Reality keeps a record
of what belongs where, and that is the most patient argument there is. The record
gave way with No. 9 inside it, and the RUNNING is what holds the crossing open: a
standing wave sustained by its own motion the way a bow sustains a note.
So the players must board a train that cannot stop, and then find that sixty-one
people at six passes is four hours they do not have. The ending is what they
choose to do about arithmetic they cannot beat, in front of a conductor holding
the manifest. No roll resolves it.
It is also the case that teaches Standing Order 9: NOTHING MODERN GOES THROUGH.
Using a modern object across costs a Coherence and moves the clock; carrying it
costs nothing; anchors are exempt. The catalogue already had the 1881 issue —
Webley, Martini-Henry, oil lantern, brass compass, pocket watch, buff coat,
laudanum — so the constraint needed no new content and gives the table something
to feel in the first twenty minutes.
Ships as docs/scenarios/THROUGH_TRAIN.md and a Foundry Adventure: 7 GM pages, 6
handouts including the survey that started it and a manifest deliberately held
back to Act Three, the case file at Containment 6 / Resources 5 / Clearance 4
with its four legs loaded, four of the people aboard, and 7 plates to show.
Two fixes from playing it:
- Bhattacharya's RESEARCH was 1%. Placing the new skills last night I swapped
Occult into Registry's core and took Research out — a records office that
cannot look anything up. Research is back in core; Antiquities gets its
Knowledge back the same way.
- The boarding was unrunnable. At halved skill the set-piece put four agents on
12–31% and all four missed, which stalls the one scene the scenario is built
around. It is an average roll now and only a fumble is a fall, with the
reason written into the text so nobody "fixes" it back. Re-run: 3 of 4 aboard
on the first pass and one waiting for the next, which is the shape it wanted.
Version 1.3.0.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
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slaguru666andClaude Opus 5
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51bd8e618a |
Audit every remaining sheet and dialog; add the Culland Hall scene
Opened all of it this time, rather than driving the system through its API.
Two more defects of the same family as the NPC sheet, and in the same place —
the types added last:
- Talent and Art had no TYPES.Item.* label, so their sheets printed the raw
key "TYPES.Item.talent" under the name.
- Neither had a branch in item-sheet.hbs or an isTalent/isPower flag, so the
Detail tab rendered EMPTY over a document holding category, rule, uses per
case, Coherence cost, push cost and origin. Eleven of thirteen types were
handled, which is exactly the shape an eye skips.
Both now have a header statline and a full Detail section, and a guard walks
template.json: every declared type must have a label, a flag set in ringbrp.mjs,
and an {{#if isX}} section in the sheet.
One hardening fix: loseCoherence applies the cost and THEN announces it, so
anything that throws in between leaves the actor quietly poorer with no message.
localize() throws on a non-string, which an unrecognised reason key is.
Everything else came back clean, and it is worth recording what was checked so
the next audit knows what "checked" meant: 13 item types opened, all render; the
expedition sheet (4 tabs); all 7 chat cards driven through their real entry
points — roll, coherence, reaction via Combat.rollAll, hit location, weapon
damage, major wound, and contact through a case file that actually has a group;
all 3 dialogs opened by clicking the controls a player clicks. No errors, no raw
localisation keys anywhere.
Also: Culland Hall as a playable Scene. Drawn as SVG rather than generated,
because a room count, a door position and a label are all load-bearing here and
a generator cannot be trusted with any of them — three label-collision passes in
the browser before it was clean, which is the documented cost of doing it this
way. 2800x2000 at 100px to the square so the Foundry grid lands on the grid
drawn into the image; 5ft squares; no walls, because half-done walls are worse
than none and a GM who wants vision can add them in ten minutes.
Verified in Foundry: the scene imports, activates, and draws.
Version 1.0.2.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
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slaguru666andClaude Opus 5
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d063b3c016 |
Add LAST ADMISSION, a two-hour haunted-house prologue
OPEN DAY was too complex for a first night: a fixed timetable the GM narrates minute by minute, three things that must be left unresolved, ten serial approach scenes, and no combat. This is the replacement opener — same premise engine, a third of the moving parts, and something to hit. A cheap scare attraction on the last night of its six-week run, in a real empty hall, with paying public still inside. Three of the ghosts on the poster were invented in an afternoon by a marketing agency, printed on the tickets and the wall panel and the call sheets, and performed forty times a night to twelve thousand people who agreed to believe them for eighteen pounds each. They are in the building now. They are not ghosts, they are entries, and they have exactly as much inside them as was written down — a page each, which they do, and nothing else. That makes them simple to run and simple to stop: hurt them, or break the script. Both work; the script is faster and cheaper, and a table that finds it should feel clever. The fourth name on the panel was copied off a memorial in the parish church because the layout needed four. Edith Crane was real, died in a real fire here in 1963, and nobody wrote her a page because nobody had to. She never attacks, cannot be hurt, and will not speak until she is asked her name. She wants her name off a poster. The night ends on whether it comes down tonight or on Monday — and Monday is two performances away. Written for the second intake specifically, on their civilian sheets, with each one's job as their way in: Renshaw is IN the show and knows the running order, Ferriby wired it, Sharrock built the sets, Pollard is on the door, Braithwaite and Ashcroft paid to get in. Each shortcuts a different part of the middle and none of them is required. Art: eight plates commissioned, seven kept. The wall panel plate was cut after two attempts both produced three frames instead of four — a picture that contradicts a count the scenario turns on is worse than no picture, so the panel is a handout the GM shows rather than describes. The freed green-room plate went onto the Act One page, where the call sheet is. OPEN DAY stays in the repo as the longer, quieter alternative; both scenarios say plainly which is which and that nothing depends on the choice. Verified in Foundry: the adventure imports, six cast, seven GM pages, five handouts, plates load. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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slaguru666andClaude Opus 5
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f576c7977d |
Add a second intake: six more agents, with portraits
Written for the group that actually plays. Three postings and three trades
again, and none of the six repeats a posting or a trade already on the sheet,
so the roster now covers sixteen different jobs and no two players can pick the
same character by accident.
Gareth Pollard Night Warden Field Officer
Dominic Ashcroft Anchor Officer Senior Field Officer
Neil Braithwaite Pathology Officer Field Officer
Kate Renshaw Interview Officer Senior Field Officer
Danny Sharrock Construction Worker Probationary
Colin Ferriby IT Specialist Probationary
Each also gets a before-the-department entry, because without one they cannot
play OPEN DAY — the prologue builds its civilians off the BEFORE table, and the
build throws on a roster agent that has no entry in it. Two of the six were
already trades, so their civilian self is the same job with none of the kit.
Two guards had to be corrected rather than satisfied, both for the same reason:
they had encoded an accident of the roster being exactly ten.
- "the ten cover all ten trades exactly once" cannot survive a sixteenth
agent. The property that actually matters is that no trade is missing, so
that is what it asserts now.
- "the roster should be half trades" would mean picking characters to satisfy
a ratio. It now asserts both halves are present and neither dwarfs the
other, and separately that no job appears twice — which is the check with
real teeth, and it passes.
The portrait pass caught an arithmetic slip of mine: Sharrock came back looking
early forties against a sheet that said 35, and his biography says twenty years
on sites, which would have him starting at fifteen. He is 42.
Verified in Foundry: 36 pregens in the pack, all twelve import, sheets render
with their portraits.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
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slaguru666andClaude Opus 5
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f185c92088 |
Add OPEN DAY, the recruitment prologue
Ten civilians, one decommissioned telephone exchange, and eleven minutes during
which the building went back to being on the street it was built on. Nothing
attacks anybody. Nothing wants anything. That is the horror, and it is the whole
design.
The premise was already in the pregens. Wren Finch's biography said she was
inside a building "on the night it stopped being on the street it was on", and
Soraya Rahimi's said she talked a caller down on air "for eleven minutes, and
the recording does not play back the same way twice". Those are two views of one
afternoon, so the scenario is built at the intersection and the other eight
"How they found her/him" lines are the same afternoon from eight more jobs.
Nothing in the prologue contradicts a sheet, because the sheets came first.
The reconciliation pass, which is most of the work:
- Finch's line said "night". The open day is an afternoon. One word changed on
the pregen, and both are true. Her line also says she was the only witness
who could describe the inside, so she is the one who goes into number 11 —
written into the location note rather than left to chance.
- Rahimi's line says she was ON AIR. So the disconnected telephone that rings
at 15:45 is patched through to her outside broadcast, which makes the canon
line and the scene the same event instead of two coincidences.
- Okonkwo carries two men out; Nkemdirim's patient has a forearm that healed
crooked over a break he took six minutes ago. Both seams needed an injury in
Act Two and there was none, so 15:50 and 15:51 now have one.
- Sandoval's forty minutes of traffic sit inside an eleven-minute window. That
is the anomaly, so it is on the handout in those words.
- "Prine" collided with an NPC already in the world. The engineer is Kearsley.
Structure: 2h15 against the house 3h30, stated in the design intent, because a
prologue exists to make the first real case land. No combat, no antagonist, no
Coherence — the last one is thematic, not a simplification: Coherence is what it
costs to keep looking once you know what you are looking at, and these ten do
not know yet. The Briefing is the first time the word is said aloud.
Ships as docs/scenarios/OPEN_DAY.md (the full GM document) and a Foundry
Adventure in a new `prologue` pack: 8 GM pages, 7 handouts, 5 NPCs, and ten
generated plates. The PCs are the "(before)" pregens already in the Pregens
pack — a second copy here would give a GM two sets of the same ten people and
no way to know which one their notes were on.
Verified in Foundry: the adventure imports, both journals render branded, the
countdown table reads as a table, and all ten plates load.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
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slaguru666andClaude Opus 5
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c15b13c3b9 |
Add the duty roster: ten ready-to-play agents with generated portraits
Five postings and five trades, so a group choosing from this sheet meets both halves of character creation without anyone having to explain them. Skills and kit are not written out per agent. They are expanded from the register at build time by the same helper the starter scenario uses, which is hoisted out of the BLACK PLATFORM block for the purpose — two copies of that expansion is two places for the induction rule to drift. Ratings sit at the middle of each band rather than being rolled, because a pregen that varies between installs is not a pregen. Portraits are generated art, resized to 512 and stored as webp (12MB of PNG became 210KB). buildActor now takes a portrait and gives the same face to the prototype token: a pregen you can recognise on the map is worth more at a convention table than a correct one you cannot tell apart. It throws on a portrait that is not on disk, because a broken image on a pregen sheet is the sort of thing that is first noticed on a projector. Guard: check-behaviour gains a test that every roster agent names a real posting or trade and has its portrait on disk, verified to bite. It caught "archive", which is not a posting — Bhattacharya is Registry. Verified in a running Foundry: 14 pregens in the pack, sheets render with the portraits, coherence and hit points fill from the template, no system errors. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |