THROUGH TRAIN — the crossing starter, and two more playtest fixes

A train has been running the same four miles of track since 3 November 1881. It has never stopped. Sixty-one people are aboard and all of them are alive. The supernatural is science fiction underneath, which is the point. A railway company laid track to a filed survey instead of to the ground, then described the line as being where it was not — ten thousand times, in timetables and waybills and telegraph orders, for six months, at a constant speed. Reality keeps a record of what belongs where, and that is the most patient argument there is. The record gave way with No. 9 inside it, and the RUNNING is what holds the crossing open: a standing wave sustained by its own motion the way a bow sustains a note. So the players must board a train that cannot stop, and then find that sixty-one people at six passes is four hours they do not have. The ending is what they choose to do about arithmetic they cannot beat, in front of a conductor holding the manifest. No roll resolves it. It is also the case that teaches Standing Order 9: NOTHING MODERN GOES THROUGH. Using a modern object across costs a Coherence and moves the clock; carrying it costs nothing; anchors are exempt. The catalogue already had the 1881 issue — Webley, Martini-Henry, oil lantern, brass compass, pocket watch, buff coat, laudanum — so the constraint needed no new content and gives the table something to feel in the first twenty minutes. Ships as docs/scenarios/THROUGH_TRAIN.md and a Foundry Adventure: 7 GM pages, 6 handouts including the survey that started it and a manifest deliberately held back to Act Three, the case file at Containment 6 / Resources 5 / Clearance 4 with its four legs loaded, four of the people aboard, and 7 plates to show. Two fixes from playing it: - Bhattacharya's RESEARCH was 1%. Placing the new skills last night I swapped Occult into Registry's core and took Research out — a records office that cannot look anything up. Research is back in core; Antiquities gets its Knowledge back the same way. - The boarding was unrunnable. At halved skill the set-piece put four agents on 12–31% and all four missed, which stalls the one scene the scenario is built around. It is an average roll now and only a fumble is a fall, with the reason written into the text so nobody "fixes" it back. Re-run: 3 of 4 aboard on the first pass and one waiting for the next, which is the shape it wanted. Version 1.3.0. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Play a full case, then fix what it found
2026-08-18 00:25:19 +01:00 · 2026-08-18 00:10:28 +01:00 · 2026-08-17 23:31:35 +01:00 · 2026-08-17 23:25:46 +01:00 · 2026-08-17 21:58:30 +01:00 · 2026-08-12 22:55:11 +01:00
183 changed files with 2438 additions and 432 deletions
@@ -28,7 +28,8 @@ git clone https://gitea.timevans.uk/slaguru666/RingBRP.git ringbrp
 ```
 Requires **Foundry v13+** (verified against v14.364). No modules are required. Dice So
-Nice is supported but optional — the system registers four of its own dice textures.
+Nice works if you have it, using your own dice — the system ships no dice skins and does
 not touch anybody's dice settings.
 ### Deploying to a remote Foundry server
@@ -47,7 +48,7 @@ packs or regenerate art on that machine:
 ```bash
 npm install          # pulls classic-level, used to write the LevelDB packs
 npm run build        # rebuilds packs/ from tools/content.mjs
-npm run check        # the three guards; the build refuses to run if they fail
+npm run check        # the five guards; the build refuses to run if they fail
 ```
 To update a deployed server: `git pull` and restart Foundry. If the pull touches
@@ -64,13 +65,13 @@ changing underneath a running server.
 | **Postings** | 25, each with a key characteristic, trained skills, talents and its own kit |
 | **Trades** | 10 ordinary jobs the department recruits from, plus induction |
 | **Catalogue** | 236 items — 123 gear, 62 weapons, 32 armour, 19 vehicles |
-| **Skills / talents** | 59 skills, 19 talents |
+| **Skills / talents** | 62 skills, 19 talents |
 | **Bestiary** | 21 statblocks across folklore, horror and the far side |
 | **Eras** | modern, antique, future, anomalous — the agency is old and never abolishes anything |
 | **Icons** | 292, all generated from `tools/icons.mjs`; no external art |
 | **Starter scenario** | **BLACK PLATFORM**, a six-player action starter, importable as a single Adventure |
 | **Compendia** | pregens, NPCs, skills, weapons, armour, gear, vehicles, powers, tables, rules, the starter |
-| **Rules journal** | 12 pages, generated from `rules.mjs` so the book cannot drift from the code |
+| **Rules journal** | 13 pages, generated from `rules.mjs` so the book cannot drift from the code |
 <!-- box:end -->
 ---
@@ -152,13 +153,12 @@ template.json        data model for every Actor and Item type
 templates/           Handlebars sheets
 styles/              one stylesheet
 lang/en.json         all user-facing text
-icons/  dice/  fonts/   generated art
+icons/  fonts/  art/     generated art
 packs/               built LevelDB compendia (committed — see Deploying)
 tools/
  content.mjs        the catalogue: skills, weapons, armour, gear, vehicles, NPCs
-  build-packs.mjs    builds packs/ — runs the three guards first and refuses on failure
+  build-packs.mjs    builds packs/ — runs the five guards first and refuses on failure
  make-icons.mjs     draws all 231 icons
  make-dice-textures.mjs
  rules-text.mjs     generates the rules journal FROM rules.mjs
  mission.mjs        the case generator
  mission-tables.mjs its content tables
@@ -176,13 +176,13 @@ stops being identity-equal to what it aliases, if a constant is re-declared as a
 literal, or if an exported rule has no spot-check. The packs used to be built under
 one set of numbers and played under another; this makes that impossible to ship.
-The build runs all three guards before it writes anything:
+The build runs all five guards before it writes anything:
 <!-- guards:start -->
 ```
-check-rules: OK — 87 rules, 20 files scanned, 3 aliases + 41 constant sets checked, 275 formulas verified
+check-rules: OK — 92 rules, 21 files scanned, 3 aliases + 45 constant sets checked, 291 formulas verified
 check-kits: OK — 25 roles, 10 trades, 218 catalogue items, every kit key resolves, every posting can use what it carries, every loadout distinct
-check-lang: OK — en.json, 927 keys, no leaf/branch collisions
+check-lang: OK — en.json, 981 keys, no leaf/branch collisions
-check-behaviour: OK — 43 behavioural tests
+check-behaviour: OK — 59 behavioural tests
 ```
 <!-- guards:end -->
@@ -0,0 +1,159 @@
 <svg xmlns="http://www.w3.org/2000/svg" width="2800" height="2000" viewBox="0 0 2800 2000">
  <!-- CULLAND HALL — ground floor and grounds, for LAST ADMISSION.
       Drawn rather than generated: a generator cannot be trusted with a room count,
       a door position or a label, and all three are load-bearing here.
       2800x2000 at 100px to the square = 28 x 20 squares of 5ft. -->
  <defs>
    <style>
      .rm   { fill:#16215f; stroke:#6674d8; stroke-width:6; }
      .rm2  { fill:#101a6e; stroke:#6674d8; stroke-width:6; }
      .out  { fill:#0f1750; stroke:#4d5ac0; stroke-width:4; }
      .wall { stroke:#8f9ae6; stroke-width:10; stroke-linecap:square; }
      .door { stroke:#f2ea72; stroke-width:11; stroke-linecap:round; }
      .lbl  { font-family:'Helvetica Neue',Helvetica,Arial,sans-serif; font-weight:700;
              font-size:34px; fill:#f2ea72; letter-spacing:2px; }
      .sub  { font-family:'Helvetica Neue',Helvetica,Arial,sans-serif;
              font-size:24px; fill:#a8b2e3; letter-spacing:1px; }
      .num  { font-family:'Helvetica Neue',Helvetica,Arial,sans-serif; font-weight:700;
              font-size:44px; fill:#0c125b; }
      .ttl  { font-family:'Helvetica Neue',Helvetica,Arial,sans-serif; font-weight:700;
              font-size:54px; fill:#ecefee; letter-spacing:5px; }
      .key  { font-family:'Helvetica Neue',Helvetica,Arial,sans-serif; font-size:26px; fill:#ecefee; }
      .grid { stroke:#233073; stroke-width:1; }
    </style>
  </defs>
  <rect width="2800" height="2000" fill="#0c125b"/>
  <!-- one-square grid, so the Foundry grid lands on the drawn one -->
  <g class="grid">
    <path d="M100 0V2000M200 0V2000M300 0V2000M400 0V2000M500 0V2000M600 0V2000M700 0V2000M800 0V2000M900 0V2000M1000 0V2000M1100 0V2000M1200 0V2000M1300 0V2000M1400 0V2000M1500 0V2000M1600 0V2000M1700 0V2000M1800 0V2000M1900 0V2000M2000 0V2000M2100 0V2000M2200 0V2000M2300 0V2000M2400 0V2000M2500 0V2000M2600 0V2000M2700 0V2000"/>
    <path d="M0 100H2800M0 200H2800M0 300H2800M0 400H2800M0 500H2800M0 600H2800M0 700H2800M0 800H2800M0 900H2800M0 1000H2800M0 1100H2800M0 1200H2800M0 1300H2800M0 1400H2800M0 1500H2800M0 1600H2800M0 1700H2800M0 1800H2800M0 1900H2800"/>
  </g>
  <text x="120" y="120" class="ttl">CULLAND HALL</text>
  <text x="120" y="160" class="sub">GROUND FLOOR · THE CULLAND HAUNTING · LAST ADMISSION 22:00</text>
  <!-- ================= the house ================= -->
  <rect x="400" y="300" width="2000" height="1200" class="rm2"/>
  <!-- 5 · Long Gallery -->
  <rect x="700" y="400" width="430" height="300" class="rm"/>
  <circle cx="760" cy="450" r="30" fill="#f2ea72"/><text x="746" y="465" class="num">5</text>
  <text x="730" y="560" class="lbl" font-size="30">LONG GALLERY</text>
  <text x="730" y="598" class="sub" font-size="21">strobe · mirrors · no cast at all</text>
  <!-- 6 · Ballroom -->
  <rect x="700" y="720" width="430" height="360" class="rm"/>
  <circle cx="760" cy="770" r="30" fill="#f2ea72"/><text x="746" y="785" class="num">6</text>
  <text x="730" y="880" class="lbl" font-size="30">BALLROOM</text>
  <text x="730" y="918" class="sub" font-size="21">lights up · fire exit · "thanks for coming"</text>
  <!-- 1 · Entrance Hall -->
  <rect x="1150" y="1100" width="500" height="400" class="rm"/>
  <circle cx="1190" cy="1140" r="30" fill="#f2ea72"/><text x="1176" y="1155" class="num">1</text>
  <text x="1188" y="1235" class="lbl" font-size="30">ENTRANCE HALL</text>
  <text x="1188" y="1275" class="sub" font-size="21">the WALL PANEL — four names</text>
  <rect x="1188" y="1300" width="200" height="26" fill="#f2ea72"/>
  <text x="1188" y="1372" class="sub" font-size="21">ticket desk · head count</text>
  <!-- main stairs (Edith) -->
  <rect x="1660" y="1140" width="170" height="250" class="rm2"/>
  <g stroke="#6674d8" stroke-width="4">
    <path d="M1660 1180H1830M1660 1220H1830M1660 1260H1830M1660 1300H1830M1660 1340H1830"/>
  </g>
  <text x="1663" y="1168" class="sub" font-size="21">MAIN STAIRS</text>
  <circle cx="1745" cy="1260" r="26" fill="#ff7a5c"/>
  <path d="M1650 1265H1600" class="door"/>
  <text x="1870" y="1268" class="sub" fill="#ff7a5c">EDITH CRANE stands here</text>
  <!-- 2 · The Ward, east corridor -->
  <rect x="1700" y="900" width="700" height="200" class="rm"/>
  <circle cx="1740" cy="940" r="30" fill="#f2ea72"/><text x="1726" y="955" class="num">2</text>
  <text x="1786" y="1005" class="lbl" font-size="30">THE WARD — EAST CORRIDOR</text>
  <text x="1786" y="1045" class="sub" font-size="21">Sister Enderby counts</text>
  <rect x="2320" y="905" width="16" height="190" fill="#ff7a5c"/>
  <text x="1990" y="1160" class="sub" fill="#ff7a5c" font-size="21">JOSH PARDOE is behind this wall →</text>
  <!-- 3 · Nursery -->
  <rect x="1900" y="400" width="500" height="420" class="rm"/>
  <circle cx="1940" cy="440" r="30" fill="#f2ea72"/><text x="1926" y="455" class="num">3</text>
  <text x="1990" y="530" class="lbl">THE NURSERY</text>
  <text x="1990" y="570" class="sub">Sammy in the wall · hole at ankle height</text>
  <rect x="1905" y="700" width="60" height="24" fill="#f2ea72"/>
  <!-- green room -->
  <rect x="450" y="400" width="220" height="300" class="rm"/>
  <text x="466" y="446" class="lbl" font-size="20">GREEN</text>
  <text x="466" y="472" class="lbl" font-size="20">ROOM</text>
  <text x="466" y="508" class="sub" font-size="19">call sheet</text>
  <text x="466" y="534" class="sub" font-size="19">costumes</text>
  <text x="466" y="560" class="sub" font-size="19">SET PLANS</text>
  <text x="466" y="586" class="sub" font-size="19">pinned up</text>
  <!-- control room -->
  <rect x="450" y="720" width="220" height="180" class="rm"/>
  <text x="466" y="768" class="lbl" font-size="22">CONTROL</text>
  <text x="466" y="802" class="sub" font-size="19">Ferriby · comms</text>
  <!-- kitchens -->
  <rect x="450" y="920" width="220" height="300" class="rm"/>
  <text x="466" y="966" class="lbl" font-size="22">KITCHENS</text>
  <text x="466" y="1000" class="sub" font-size="19">Sharrock's way</text>
  <text x="466" y="1026" class="sub" font-size="19">out — NOT on</text>
  <text x="466" y="1052" class="sub" font-size="19">the fire plan</text>
  <!-- yard -->
  <rect x="200" y="980" width="230" height="240" class="out"/>
  <text x="220" y="1030" class="lbl" font-size="28">YARD</text>
  <text x="220" y="1070" class="sub">skip · taped hasp</text>
  <!-- doors -->
  <g class="door">
    <path d="M1370 1500H1450"/>      <!-- front door -->
    <path d="M1130 1180H1150"/>      <!-- hall to ballroom side -->
    <path d="M915 1080V1100"/>       <!-- ballroom to hall run -->
    <path d="M1650 1000H1700"/>      <!-- hall to ward -->
    <path d="M2150 900V820"/>        <!-- ward to nursery -->
    <path d="M670 560H700"/>         <!-- green room to gallery -->
    <path d="M670 800H700"/>         <!-- control to ballroom -->
    <path d="M430 1070H450"/>        <!-- kitchens to yard -->
    <path d="M915 700V720"/>         <!-- gallery to ballroom -->
  </g>
  <!-- ================= grounds ================= -->
  <rect x="200" y="1560" width="2400" height="380" class="out"/>
  <text x="230" y="1610" class="sub">THE LAWN — ninety feet of it</text>
  <!-- marquee -->
  <rect x="1150" y="1560" width="500" height="230" class="rm"/>
  <text x="1200" y="1650" class="lbl" font-size="30">MARQUEE</text>
  <text x="1200" y="1690" class="sub">queue · box office · muster point</text>
  <!-- glasshouse -->
  <rect x="2000" y="1600" width="560" height="300" class="rm"/>
  <circle cx="2040" cy="1640" r="30" fill="#f2ea72"/><text x="2026" y="1655" class="num">4</text>
  <text x="2090" y="1720" class="lbl">THE GLASSHOUSE</text>
  <text x="2090" y="1760" class="sub">Old Marrow · the taped line</text>
  <path d="M2000 1830H2560" stroke="#f2ea72" stroke-width="6" stroke-dasharray="18 14"/>
  <text x="2090" y="1880" class="sub" fill="#f2ea72">he stops here — and tonight he does not</text>
  <!-- car park -->
  <rect x="250" y="1700" width="620" height="220" class="out"/>
  <text x="280" y="1760" class="lbl" font-size="28">CAR PARK</text>
  <text x="280" y="1800" class="sub">the van · the tea urn · blue lights</text>
  <!-- Marrow's ground: he will not come indoors -->
  <path d="M700 1545H2600" stroke="#ff7a5c" stroke-width="8" stroke-dasharray="26 18"/>
  <text x="700" y="1530" class="sub" fill="#ff7a5c">OLD MARROW WILL NOT CROSS THIS LINE — inside is a complete answer</text>
  <!-- key -->
  <g transform="translate(2420,120)">
    <rect x="-20" y="-40" width="360" height="230" fill="#101a6e" stroke="#4d5ac0" stroke-width="4"/>
    <text x="0" y="0" class="key" fill="#f2ea72">KEY</text>
    <rect x="0" y="30" width="34" height="14" fill="#f2ea72"/><text x="50" y="44" class="key">door / opening</text>
    <circle cx="17" cy="85" r="14" fill="#ff7a5c"/><text x="50" y="94" class="key">a body, or a person</text>
    <path d="M0 135H34" stroke="#ff7a5c" stroke-width="7" stroke-dasharray="12 8"/>
    <text x="50" y="144" class="key">Marrow's limit</text>
  </g>
 </svg>
@@ -33,10 +33,9 @@ Only if you intend to edit the catalogue there:
 ```bash
 npm install                       # classic-level, for writing LevelDB
-npm run check                     # the three guards
+npm run check                     # the five guards
 npm run build                     # rebuilds packs/
 node tools/make-icons.mjs         # redraws all icons
 node tools/make-dice-textures.mjs # regenerates the Dice So Nice textures
 ```
 `npm run build` runs the guards first and aborts if any fails, so a broken catalogue
@@ -426,6 +426,13 @@ If there is time — and there usually is, because this ends early — she says
 ## Artwork
 **Showing them at the table.** The adventure ships a third journal,
 **LAST ADMISSION — Show the players**, holding these as eight image pages at player
 visibility. Right-click a page and *Show Players*: the table gets the picture and
 nothing else — no heading, no caption, no label naming what they are looking at. The
 page names are for the GM's sidebar and the players never see them.
 **Style line:** flat editorial vector, deep navy and pale yellow with warm off-white,
 1970s British public-information poster, `--style raw --ar 3:2 --v 6`.
@@ -439,6 +446,7 @@ If there is time — and there usually is, because this ends early — she says
 | LA-ART-06 | The green room: mirrors, costumes, a clipboard on the door — used on the Act One page, where the call sheet is |
 | LA-ART-07 | Edith Crane on the stairs |
 | LA-ART-08 | The car park afterwards: a van, a tea urn, blue lights |
 | LA-MAP-01 | **Culland Hall floor plan** — drawn, not generated (`art/maps/culland-hall.svg`), and shipped as a playable **Scene** in the adventure: 2800×2000 at 100px to the square, 5ft grid, no walls (add them if you want line-of-sight). |
 ---
@@ -0,0 +1,394 @@
 # Crossing starter — The Custodians: THROUGH TRAIN
 > *A train has been running the same four miles of track since the third of November,
 > 1881. It has never stopped. There are sixty-one people on it and they are all alive.*
 ---
 ## GM ESSENTIALS
 - **System:** d100 roll-under. Special under a fifth, critical under a twentieth.
  96–99 never succeed; 00 always fumbles; a 60% skill fumbles on 98–00.
 - **Panic is live** — 0–5, up. A trigger costs a point with no roll; relief is rolled.
  **This is the case where it earns its keep.**
 - **Standing Order 9 is live** — nothing modern goes through. Charge for *using*, never
  for carrying. Anchors are exempt.
 - **Runs with 4–6 agents from the duty roster.** Not the "(before)" sheets — this is the
  job, and it wants people who have been trained.
 - **Hard rule: at 2:45 on the clock, they are on the train.**
 - **Content warnings:** entrapment and confinement; a decision that condemns named
  people including children; period racism and hardship implied but not staged; heights;
  one death by fire in backstory.
 ---
 ## Overview
 - **Setting:** Mercy Draw, Nevada — present day, and 3–4 November 1881.
 - **Tone:** Procedural, then unbearable. It is a paperwork error with sixty-one people
  inside it.
 - **Runtime:** 3h30 play + a 10 minute break.
 - **The crossing:** opens at 11:40 every day, for about four minutes, on the grade.
 ### Design intent
 1. **The supernatural is science fiction underneath.** Nobody is dead, nothing is
   haunting anybody, and the whole event has a mechanism the players can understand and
   explain back. If a table leaves thinking "ghost train", it has been run wrong.
 2. **The obstacle is a physical problem, not a mystery.** They will know what is
   happening by the end of Act One. Acts Two and Three are about a train that cannot
   stop and an arithmetic that cannot be beaten.
 3. **Standing Order 9 is the tutorial.** One shot at a time, no radio, a lantern that
   runs out. The period kit *is* the difficulty setting, and it is the scene where
   players learn what kind of game this is.
 4. **The ending is a decision priced on both sides**, with no roll and no correct
   answer, taken in front of a woman holding a manifest.
 5. **What this is not:** a fight. There is no antagonist. Kell is not possessed, Vane is
   not a villain, and the train is not malevolent — it is a note being held.
 ---
 ## Session Timing
 | Section | Time | Cumulative | Checkpoint |
 |---|---|---|---|
 | Briefing — the standing order | ~20 min | 0:20 | kit swapped, somebody has complained |
 | Act One — Mercy Draw, now | ~50 min | 1:10 | they know it is a survey fraud, and they have heard 11:40 |
 | *Break* | *10 min* | *1:10* | lands on the whistle |
 | Act Two — Cordera, 1881 | ~70 min | 2:20 | they are on the train |
 | Act Three — Aboard | ~50 min | 3:10 | they have decided |
 | Epilogue — the register | ~20 min | 3:30 | sixty-one names, written down |
 **Hard rule:** at 2:45 they are aboard, by the department's wagon if not by their own wit.
 ---
 ## Plot Summary (GM truth)
 **April 1881.** The Cordera & Western needed four miles of narrow gauge across a dry
 wash called **Mercy Draw**. The company surveyor, **Elias Vane**, was told what the chart
 had to say before he walked the ground. He filed a survey showing the line on the
 **north bench**. The line was laid on the **south bench**, because that is where the
 ground allowed it.
 Nobody was hurt by that. It is the dullest possible paperwork lie. And for six months
 every timetable, waybill, dispatch and telegraph order in the company's operation
 described a train running along the north bench.
 **Reality keeps a record of what belongs where.** It can be made to get it wrong by
 anything patient enough — and a train is the most patient arguer there is: a fixed line,
 a constant speed, on the hour, every day, saying the same wrong thing about where it was.
 **3 November 1881, 11:40.** The record gave way. Four miles of line came loose from the
 date with No. 9 and five cars on it and **sixty-one souls aboard**.
 **The running is what holds it open.** This is the thing the players must arrive at: the
 train is not trapped inside the crossing — the train *is* the crossing. A standing wave,
 sustained by its own motion the way a bow sustains a note.
 - **Nobody is dead.** They eat, sleep in shifts, and have organised a water rota. By
  their clocks it has been about nine hours.
 - **Nobody can get off.** Step down and you are on ground outside the error. Three
  departmental attempts are on file; none returned; all three tried to stop it first.
 - **Stop the train and the note ends** — and everything it holds open ends with it.
 **Elias Vane is aboard.** He rode his own line to see what he had signed for. He has had
 nine hours and a hundred and forty-five years to think about it. He understands the
 standing wave better than the department does, he has told nobody, and he will answer any
 direct question honestly because he has been waiting a very long time to be asked.
 ### Timeline
 | When | What |
 |---|---|
 | 12 Apr 1881 | Vane files the survey. North bench. |
 | Apr–Oct 1881 | Line laid on the south bench. Six months of paperwork says otherwise. |
 | **3 Nov 1881, 11:40** | The record gives way, with No. 9 inside it. |
 | 1889 | Rails lifted. The grade is still there. |
 | 1974, 1991, 2009 | Three departmental attempts. No survivors. All tried to stop it. |
 | Every day, 11:40 | The crossing opens on the grade for about four minutes. |
 ### Revelations
 | # | Revelation |
 |---|---|
 | R1 | The filed survey puts the line on the north bench |
 | R2 | There has never been a railway on the north bench |
 | R3 | Six months of paperwork repeated it |
 | R4 | The dispatcher's book has no 11:45 entry |
 | R5 | The 11:40 sound is a train working *up* a grade — always accelerating |
 | R6 | Nobody aboard is dead, and by their clocks it has been nine hours |
 | R7 | The running is what holds the crossing open |
 | R8 | Coal that should have lasted four hours has lasted a hundred and forty-five years |
 | R9 | Kell will stop if told to, and only if told to |
 | R10 | Vane signed it, and knows exactly what stopping it costs |
 | R11 | Sixty-one people, six passes, four hours — and the crossing may not hold |
 ---
 ## Player Experience
 You are handed a Webley, a single-shot rifle, an oil lantern and a pocket watch, and told
 that the handset stays behind. Then you stand in a dry wash in Nevada at 11:38 in the
 morning and listen to a train you cannot see work a grade that has had no rails on it
 since 1889. By lunchtime you know it is a survey fraud from 1881. By the evening you are
 lying on the top of a water tower waiting for forty seconds of slow track, and after that
 you are in a warm carriage that smells of coffee, being asked by a conductor with a
 manifest whether you are from the company. She has counted sixty-one every hour for a
 hundred and forty-five years. She would like that noted.
 ---
 ## The Countdown — the crossing clock (0–6)
 Move it on **each pass of the train**, when **somebody uses a modern object across**, and
 on a **fumbled boarding attempt**.
 | Clock | What |
 |---|---|
 | 0 | Open. Four minutes at 11:40. |
 | 1 | Thinning. The whistle arrives a half-second before it should. |
 | 2 | Slipping. −1 Coherence to everyone across, once. |
 | 3 | The line flickers — a hundred yards of grade is briefly not there. |
 | 4 | The far end stops answering. Fallon's wire goes dead in 1881. |
 | 5 | One pass left, and everybody can tell. |
 | 6 | It closes, with whoever is aboard. |
 ---
 ## Handouts
 | ID | Description | When |
 |---|---|---|
 | TT-H01 | Case brief TT-004 | Briefing |
 | TT-H02 | **Standing Order 9** — period crossings | Briefing |
 | TT-H03 | Issue list, 1881 | Briefing |
 | TT-H04 | **The filed survey** — the line on the north bench | Act One |
 | TT-H05 | Working timetable and the dispatcher's book | Act One |
 | TT-H06 | **Passenger manifest** — sixty-one souls, nine children | Act Three |
 The manifest is deliberately held back to Act Three. It is a list of names, and the
 players should not be holding it until the moment it starts to weigh something.
 ---
 ## Briefing — the standing order *(~20 min)*
 > You will be crossing to November 1881. Nothing you are carrying goes with you. Stores
 > has laid out what you may take instead, and I would ask you not to argue with the
 > storeman, because he is right and you are in a hurry.
 **Nothing modern goes through.** Give both reasons:
 1. **It costs you.** An object that does not belong is a thing the far side must also be
   wrong about. **Using** a modern item across costs **1 Coherence**, per object, first
   time.
 2. **It is a beacon.** A crossing is a place where the record is already wrong. It
   notices what does not fit, and the case clock moves.
 **Charge for using, never for carrying.** A player who smuggles a torch across and never
 switches it on has made a good decision and should get away with it.
 **The anchor is exempt.** Everybody keeps theirs.
 ### The 1881 issue
 | Instead of | They get |
 |---|---|
 | service pistol | **Webley revolver** — 1d10, six shots, slow reload |
 | carbine | **Martini-Henry** — 2d6+2, **one shot**, then work the lever |
 | torch | **oil lantern** and lamp oil, which runs out |
 | the handset | **nothing.** Out of contact from the moment they cross. |
 | stab vest | **buff coat** or oilcloth coat |
 | medkit | **chirurgeon's roll** and **laudanum** |
 | phone and GPS | **brass compass**, **pocket watch**, **spyglass** |
 ---
 ## Act One — Mercy Draw, now *(~50 min)*
 > **Goal:** find the fraud, hear the train, understand it is on a timetable.
 Nevada. A dry wash four miles long with a railway grade along the south side. Rails
 lifted in 1889; ballast and tie marks still there. Your watch says 11:38.
 - **The south bench** — the grade, real and obvious.
 - **The north bench** — nothing, and never anything. `[CUS: Spot or Engineering]`
 - **The water tower footing**, half a mile up at the top of the grade. *Remember it.*
 - **11:40.** A whistle a long way off, then four minutes of a train working a grade,
  getting no nearer. **Automatic — nobody rolls for this.**
 ### Clue trail
 | # | Clue | How found | Type |
 |---|---|---|---|
 | 1 | The filed survey puts the line on the **north** bench | **Automatic** — it is a handout with a line drawn on it | Essential |
 | 2 | There has never been a railway on the north bench | **Automatic** to anyone who walks it | Essential |
 | 3 | Six months of paperwork all say north bench | `[CUS: Research]`, or Registry provides | Essential |
 | 4 | No 11:45 entry in the dispatcher's book | `[CUS: Research]` | Essential |
 | 5 | E. Vane, surveyor, is on the manifest | `[CUS: Research]` | Optional |
 | 6 | Three previous attempts, no survivors, all tried to stop it | Registry, if asked | Optional |
 | 7 | The sound is a train *accelerating* up a grade | `[CUS: Listen or Engineering]` | Optional |
 **Fallbacks.** 1 and 2 are the handout and the ground. 3 and 4 arrive from Registry by
 telephone at the twenty-minute mark if nobody goes looking — Bewley is thorough and
 slightly impatient.
 **They cannot board at this end.** Too fast, grade against them. Let them try: a bruise, a
 lesson, and the clock moves one.
 > **Fast-track at 1:10:** the 11:40 comes round again and the door stays open long enough
 > to walk through. That is what degrading looks like.
 ---
 ## Act Two — Cordera, 1881 *(~70 min)*
 > **Goal:** the far side, the standing order in practice, and the boarding.
 The fourth of November, 1881. A town of four hundred that smells of woodsmoke and horses.
 Nobody is frightened yet — a train went into the Draw yesterday and has not come out, and
 the wire says it never arrived.
 - **The company office** — dispatcher, orders on spikes, the original survey in a drawer.
 - **The livery** — horses. This matters.
 - **Ada Reyes**, telegraph, who has sent the same query forty times and has noticed the
  missing 11:45.
 - **The Draw**, four miles out. The train passes about every forty minutes.
 **Nobody in 1881 can help them stop it, and everybody will help them get near it.** The
 company wants its train back. Let the players use that.
 ### The set-piece — getting aboard
 The train cannot stop and cannot be flagged. The only way on is to **match its speed**,
 and the only place it is slow is **the top of the grade at the water tower** — about eight
 miles an hour, for perhaps forty seconds.
 1. **Ride it down.** Horses alongside on the bench, step across. `[CUS: Ride, then
   Athletics]` — and the horse needs its own Ride roll to go near the train at all.
 2. **Drop from the tower.** Twelve feet onto a moving roof. `[CUS: Athletics — average;
   **only a fumble is a fall**]`. **Do not make this difficult** — playtested at halved
   skill it put four agents on 12–31% and all four missed, which stalls the one scene the
   scenario is built around.
 3. **The wagon on the grade.** Four horses, a plank across. Slowest to arrange, safest to
   cross, and it needs the company's help.
 **The wagon is easier than the tower, and the tower is easier than the horses.** A party
 that spends an hour arranging the wagon has bought an easy roll and should get one.
 **Everybody has to get on.** A failed attempt gets the next pass, forty minutes later, and
 the clock moves — not a full stop.
 **Panic:** boarding is worth a point to anybody who wants one. Offer it; do not force it.
 > **At 2:45 they are aboard.** If two attempts have failed, the department's second wagon
 > arrives with two more agents and a plank, and the players owe somebody a favour.
 ---
 ## Act Three — Aboard *(~50 min)*
 > **Goal:** sixty-one people, one man who knows, and a decision that costs either way.
 > It is warm. That is the first thing. Sixty-one people in five cars, and it smells of
 > bodies and coal smoke and coffee. Somebody has organised a rota for the water. A child
 > is asleep across two seats with a coat over her. They look up when you come through the
 > door, and one of them says: *"Are you from the company?"*
 | Where | What |
 |---|---|
 | The locomotive | **Marius Kell**, engineer, who has not let go of the regulator |
 | Tender, car one | Coal that has not run out — the first hard evidence |
 | Cars two and three | Most of the sixty-one. Organised, rationed, glad to see anyone |
 | Car four | Freight, the company safe, **the signed survey** |
 | Car five | **Elias Vane**, alone, watching the line come out from under |
 ### The three facts aboard
 1. **The coal has not run out.** `[CUS: Engineering or Spot]`
 2. **Kell cannot let go** — not *will* not. He worked out on day one that slowing is the
   end of everything, and he has been right for a hundred and forty-five years. He is not
   mad and not possessed. He is tired.
 3. **Vane knows**, and will say so to a direct question.
 ### Getting people off
 **Off the moving train is survivable. Off the crossing is not.** A person put off at the
 top of the grade — the same forty seconds the agents used — lands in 1881 and lives.
 **Sixty-one people. Six passes. Four hours.** They cannot do it in the time they have.
 That is deliberate: the ending is what they choose to do about the arithmetic.
 ### The choices — no roll resolves this
 | Choice | Cost |
 |---|---|
 | **Everyone off, then stop it** | Four hours while the crossing degrades. It may not hold. The right answer, and a gamble. |
 | **Stop it now** | Clean close, clean file. Sixty-one people end. Kell will do it if asked. |
 | **Children and crew off, then stop it** | The compromise every table finds. It works — and it means choosing, by name, off a manifest they are holding. |
 | **Leave it running** | Everyone lives today. It fails inside a year with everyone aboard. A real option; the scenario logs it without punishing it. |
 ### If they ask Vane
 > I filed a chart that said the line was somewhere it was not, because a man told me to
 > and I wanted the work. That is all I did. It took six months of honest railwaymen
 > repeating it to make it true. If you stop us I would call that fair, and I would ask you
 > to put the children off first.
 ---
 ## Epilogue — the register *(~20 min)*
 A Registry room, a form, and somebody writing down sixty-one names.
 | Ending | What the register says |
 |---|---|
 | **All off, then stopped** | Sixty-one resettled in 1881, new papers, no way home. Two find their way into the department's files within the decade. |
 | **Stopped with people aboard** | Closes clean. The file closes clean. Nobody is quite the same about a timetable. |
 | **Partial** | However many were put off, put off. The rest are a number in a column, and the agent who chose is named. |
 | **Left running** | Logged, monitored, inherited by whoever holds the case in a year. Defensible. Nobody thanks them. |
 ---
 ## Cast
 | Who | Wants | Key line |
 |---|---|---|
 | **Marius Kell**, engineer | to be allowed to stop | *"You tell me when. I'll not do it before you say."* |
 | **Elias Vane**, surveyor | to be asked, at last | *"I signed it. Six months of honest men made it true."* |
 | **Hester Bligh**, conductor | her passengers accounted for | *"Sixty-one aboard. I have counted them every hour since."* |
 | **Ada Reyes**, telegraph | an answer up the line | *"It never got to Fallon. I've sent it forty times."* |
 | **Mr Bewley**, Registry | the chart, and the truth written down | *"Bring me the paper. The paper is the case."* |
 ---
 ## Do not resolve
 - **Why the coal has not run out.** The wave sustains it; that is as far as anyone gets.
 - **What is at the far end of the line.** Nobody aboard has reached it.
 - **Whether the people put off in 1881 were saved or exiled.** Both. It should sit badly.
 ## GM notes
 - **Play the passengers as people, hard.** The scenario dies the moment they become a
  number, and it lives on the fact that they are not.
 - **Standing Order 9 is the tutorial.** Do not soften it and do not apologise for it.
 - **Cut first:** the town, down to the livery and the telegraph office. Never cut the
  boarding.
 - **If they crack it early,** run the passes — six of them, forty minutes apart — and let
  the table feel the arithmetic they are betting on.
 ---
 ## Which scenario to run
 | | Length | Combat | Sends them across |
 |---|---|---|---|
 | **LAST ADMISSION** | 2h | yes, one fight | no — prologue, civilians |
 | **OPEN DAY** | 2h15 | no | no — prologue, civilians |
 | **THROUGH TRAIN** | 3h30 | no | **yes** — the first real case |
 | **BLACK PLATFORM** | 3–4h | yes, heavily | no — a modern-day action case |
 Run a prologue, then THROUGH TRAIN. BLACK PLATFORM is the one to reach for when a table
 wants a fight.
@@ -13,6 +13,8 @@
  "TYPES.Item.group": "Group",
  "TYPES.Item.vehicle": "Vehicle",
  "TYPES.Item.authority": "Authority",
  "TYPES.Item.talent": "Talent",
  "TYPES.Item.power": "Art",
  "RINGBRP.Tab.Access": "Access",
  "RINGBRP.New.authority": "New authority",
  "RINGBRP.Scope.nothing": "nothing at all",
@@ -925,5 +927,57 @@
  "RINGBRP.Gen.RolledChar": "{ch}",
  "RINGBRP.Gen.TakeThem": "Keep these",
  "RINGBRP.Gen.Nth": "agent {n}",
-  "RINGBRP.Dialog.Circumstance": "How are the circumstances?"
+  "RINGBRP.Dialog.Circumstance": "How are the circumstances?",
  "RINGBRP.Item.TalentId": "Talent key",
  "RINGBRP.Item.TalentCategory": "Category",
  "RINGBRP.Item.TalentSummary": "In one line",
  "RINGBRP.Item.TalentRule": "What it does",
  "RINGBRP.Item.GrantsAction": "Grants action",
  "RINGBRP.Item.UsesPerCase": "Uses per case",
  "RINGBRP.Item.UsedThisCase": "Used this case",
  "RINGBRP.Item.SkillBonusFam": "Bonus to skill",
  "RINGBRP.Item.SkillBonusVal": "Bonus",
  "RINGBRP.Item.ArtId": "Art key",
  "RINGBRP.Item.ArtSummary": "In one line",
  "RINGBRP.Item.ArtRule": "What it does",
  "RINGBRP.Item.ArtRating": "Rating",
  "RINGBRP.Item.PushCost": "Push cost",
  "RINGBRP.Item.PushRule": "What pushing does",
  "RINGBRP.Item.Origin": "Where it came from",
  "RINGBRP.Panic.Label": "Panic",
  "RINGBRP.Panic.Steady": "Steady",
  "RINGBRP.Panic.SteadyNote": "You are all right. You are doing the job.",
  "RINGBRP.Panic.Rattled": "Rattled",
  "RINGBRP.Panic.RattledNote": "Your hands are not quite steady. No penalty — the first one is free.",
  "RINGBRP.Panic.Shaken": "Shaken",
  "RINGBRP.Panic.ShakenNote": "−5% to everything. You keep checking the way you came in.",
  "RINGBRP.Panic.Losing": "Losing it",
  "RINGBRP.Panic.LosingNote": "−10% to everything. You are talking too fast and not hearing answers.",
  "RINGBRP.Panic.Overwhelmed": "Overwhelmed",
  "RINGBRP.Panic.OverwhelmedNote": "−20% to everything. One more and you go.",
  "RINGBRP.Panic.Broken": "Broken",
  "RINGBRP.Panic.BrokenNote": "You freeze, run, or go at it. Choose one, take it, and come back at 3.",
  "RINGBRP.Panic.Trig.WrongThing": "Something that should not be there",
  "RINGBRP.Panic.Trig.Touched": "It touched you",
  "RINGBRP.Panic.Trig.Body": "A body",
  "RINGBRP.Panic.Trig.Known": "Somebody you knew",
  "RINGBRP.Panic.Trig.Dark": "The lights went",
  "RINGBRP.Panic.Trig.Wounded": "A major wound",
  "RINGBRP.Panic.Trig.Named": "It said your name",
  "RINGBRP.Panic.Relief.Steady": "Steady yourself (POW×5)",
  "RINGBRP.Panic.Relief.Religion": "Religion — something older than the department",
  "RINGBRP.Panic.Relief.Psychology": "Psychology — talk somebody else down",
  "RINGBRP.Panic.Relief.Occult": "Occult — name it, out loud, for everyone who can hear",
  "RINGBRP.Panic.Relief.Anchor": "Your anchor, once per case",
  "RINGBRP.Panic.Gained": "{name} — panic {from} → {to}",
  "RINGBRP.Panic.Eased": "{name} — panic {from} → {to}",
  "RINGBRP.Panic.Breaks": "BREAKS — freeze, flee, or fixate. Choose, take it, come back at 3.",
  "RINGBRP.Panic.NoChange": "No change.",
  "RINGBRP.Flavour.Panicking": "panicking ({mod}%)",
  "RINGBRP.Chat.ToEverything": "to everything",
  "RINGBRP.Panic.Backfired": "Fumbled —",
  "RINGBRP.Panic.SceneEnd": "Scene over",
  "RINGBRP.Panic.SceneEndNote": "Panic clears when the scene does. Coherence does not.",
  "RINGBRP.Party.Title": "The team, right now",
  "RINGBRP.Party.Who": "Agent"
 }
@@ -6,8 +6,7 @@
  "scripts": {
    "build": "node tools/build-packs.mjs && node tools/update-readme.mjs",
    "icons": "node tools/make-icons.mjs",
-    "dice": "node tools/make-dice-textures.mjs",
+    "check": "node tools/check-rules.mjs && node tools/check-kits.mjs && node tools/check-lang.mjs && node tools/check-templates.mjs && node tools/check-behaviour.mjs",
    "check": "node tools/check-rules.mjs && node tools/check-kits.mjs && node tools/check-lang.mjs && node tools/check-behaviour.mjs",
    "test": "npm run check",
    "readme": "node tools/update-readme.mjs"
  },
@@ -17,5 +16,8 @@
  "type": "commonjs",
  "dependencies": {
    "classic-level": "^3.0.0"
  },
  "devDependencies": {
    "handlebars": "^4.7.9"
  }
 }
@@ -1 +1 @@
-MANIFEST-000004
+MANIFEST-000002
@@ -1,5 +1 @@
-2026/08/12-18:25:14.825703 1726ef000 Recovering log #3
+2026/08/18-00:25:18.939914 16fcaf000 Delete type=3 #1
 2026/08/12-18:25:14.825849 1726ef000 Level-0 table #5: started
 2026/08/12-18:25:14.825995 1726ef000 Level-0 table #5: 4591 bytes OK
 2026/08/12-18:25:14.826236 1726ef000 Delete type=0 #3
 2026/08/12-18:25:14.826263 1726ef000 Delete type=3 #2
@@ -1 +0,0 @@
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@@ -1 +1 @@
-MANIFEST-000004
+MANIFEST-000002
@@ -1,5 +1 @@
-2026/08/12-18:25:14.845998 172efb000 Recovering log #3
+2026/08/18-00:25:19.010528 1704bb000 Delete type=3 #1
 2026/08/12-18:25:14.846266 172efb000 Level-0 table #5: started
 2026/08/12-18:25:14.846391 172efb000 Level-0 table #5: 4129 bytes OK
 2026/08/12-18:25:14.846614 172efb000 Delete type=0 #3
 2026/08/12-18:25:14.846646 172efb000 Delete type=3 #2
@@ -1 +0,0 @@
 2026/08/12-18:25:01.063788 173a97000 Delete type=3 #1
@@ -1 +1 @@
-MANIFEST-000004
+MANIFEST-000002
@@ -1,5 +1 @@
-2026/08/12-18:25:14.826938 171ee3000 Recovering log #3
+2026/08/18-00:25:18.941763 16f4a3000 Delete type=3 #1
 2026/08/12-18:25:14.827153 171ee3000 Level-0 table #5: started
 2026/08/12-18:25:14.827483 171ee3000 Level-0 table #5: 31614 bytes OK
 2026/08/12-18:25:14.827723 171ee3000 Delete type=0 #3
 2026/08/12-18:25:14.827764 171ee3000 Delete type=3 #2
@@ -1 +0,0 @@
 2026/08/12-18:25:00.998955 172a7f000 Delete type=3 #1
@@ -1 +1 @@
-MANIFEST-000004
+MANIFEST-000002
@@ -1,5 +1 @@
-2026/08/12-18:25:14.839430 1726ef000 Recovering log #3
+2026/08/18-00:25:18.995451 16f4a3000 Delete type=3 #1
 2026/08/12-18:25:14.839716 1726ef000 Level-0 table #5: started
 2026/08/12-18:25:14.840052 1726ef000 Level-0 table #5: 44390 bytes OK
 2026/08/12-18:25:14.840621 1726ef000 Delete type=0 #3
 2026/08/12-18:25:14.840694 1726ef000 Delete type=3 #2
@@ -1 +0,0 @@
 2026/08/12-18:25:01.048880 17328b000 Delete type=3 #1
@@ -1 +1 @@
-MANIFEST-000004
+MANIFEST-000002
@@ -1,5 +1 @@
-2026/08/12-18:25:14.812575 1726ef000 Recovering log #3
+2026/08/18-00:25:18.976255 16fcaf000 Delete type=3 #1
 2026/08/12-18:25:14.814591 1726ef000 Level-0 table #5: started
 2026/08/12-18:25:14.816158 1726ef000 Level-0 table #5: 225945 bytes OK
 2026/08/12-18:25:14.816434 1726ef000 Delete type=0 #3
 2026/08/12-18:25:14.816497 1726ef000 Delete type=3 #2
@@ -1 +0,0 @@
 2026/08/12-18:25:01.033123 172a7f000 Delete type=3 #1
@@ -1 +1 @@
-MANIFEST-000004
+MANIFEST-000002
@@ -1,5 +1 @@
-2026/08/12-18:25:14.822117 173707000 Recovering log #3
+2026/08/18-00:25:19.005331 16ec97000 Delete type=3 #1
 2026/08/12-18:25:14.822240 173707000 Level-0 table #5: started
 2026/08/12-18:25:14.822383 173707000 Level-0 table #5: 3295 bytes OK
 2026/08/12-18:25:14.822727 173707000 Delete type=0 #3
 2026/08/12-18:25:14.822771 173707000 Delete type=3 #2
@@ -1 +0,0 @@
 2026/08/12-18:25:01.058642 173a97000 Delete type=3 #1
@@ -1 +1 @@
-MANIFEST-000007
+MANIFEST-000002
@@ -1,3 +1 @@
-2026/08/12-18:25:14.806453 172efb000 Recovering log #6
+2026/08/18-00:25:18.961584 16ec97000 Delete type=3 #1
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@@ -1,5 +0,0 @@
 2026/08/12-18:25:01.665437 16f483000 Recovering log #3
 2026/08/12-18:25:01.667727 16f483000 Level-0 table #5: started
 2026/08/12-18:25:01.671815 16f483000 Level-0 table #5: 545293 bytes OK
 2026/08/12-18:25:01.672145 16f483000 Delete type=0 #3
 2026/08/12-18:25:01.672193 16f483000 Delete type=3 #2
@@ -1 +1 @@
-MANIFEST-000004
+MANIFEST-000002
@@ -1,5 +1 @@
-2026/08/12-18:25:14.829681 173707000 Recovering log #3
+2026/08/18-00:25:19.002226 16f4a3000 Delete type=3 #1
 2026/08/12-18:25:14.829858 173707000 Level-0 table #5: started
 2026/08/12-18:25:14.830111 173707000 Level-0 table #5: 21613 bytes OK
 2026/08/12-18:25:14.830352 173707000 Delete type=0 #3
 2026/08/12-18:25:14.830387 173707000 Delete type=3 #2
@@ -1 +0,0 @@
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@@ -1 +1 @@
-MANIFEST-000004
+MANIFEST-000002
@@ -1,5 +1 @@
-2026/08/12-18:25:14.841492 1726ef000 Recovering log #3
+2026/08/18-00:25:18.999210 16fcaf000 Delete type=3 #1
 2026/08/12-18:25:14.841753 1726ef000 Level-0 table #5: started
 2026/08/12-18:25:14.842198 1726ef000 Level-0 table #5: 43953 bytes OK
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@@ -1 +0,0 @@
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-MANIFEST-000004
+MANIFEST-000002
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-2026/08/12-18:25:14.831296 172efb000 Recovering log #3
+2026/08/18-00:25:19.008595 16f4a3000 Delete type=3 #1
 2026/08/12-18:25:14.831754 172efb000 Level-0 table #5: started
 2026/08/12-18:25:14.832094 172efb000 Level-0 table #5: 33484 bytes OK
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@@ -1 +0,0 @@
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--- a/Show More
+++ b/Show More
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