The Casting section said "Portraits already exist in art/portraits for all
six. No new art needed." The first sentence is true and verified on disk. The
second was only ever true of the cast, and sitting at the foot of Casting it
read as a statement about the scenario. It is not: the six named NPCs have no
portraits, there is no map, and there are no scene plates at all — while
LAST_ADMISSION has 8, OPEN_DAY 10 and THROUGH_TRAIN 13. Not one cg_* asset
exists anywhere in art/.
Nothing in "Still to do" mentioned it either; that list held only a human run
and a slot, both resolved.
So: the claim is scoped to the cast and points at the gap, the gap is on the
outstanding list where a reader looks, and CLEAN_GROUND_ART.md now carries the
prompts — 6 NPC portraits and 11 scene plates, 17 ids, none colliding with a
file already on disk.
Art direction follows the house pattern (base style plus one scenario line).
THROUGH TRAIN draws the present day in an 1881 hand; CLEAN GROUND draws
everything as a sheet from the 1962 file — including the far side, because the
valley is not a place, it is a filed document nobody cancelled. Same paper,
same margin, same grain on both sides of the seam.
The notes carry the rules that matter: the six at the back are never singled
out in the column plate (the text says do not linger on them, and a plate that
picks them out gives away Act Three in Act Two), nobody in the column is lit as
a victim, nothing glows, the understudy is never drawn as a monster, and the
grey is not snow.
Creatures stay in BESTIARY_ART.md; the handout pack is done and its almanac
pages must not be illustrated, since their trick is that the two sheets are
identical and check-handouts holds that.
21 guards green; the sheet classifies as a record, not a playable scenario.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
