slaguru666andClaude Opus 5
563ccf6921
Slate: Another Bloody Treasure Map moves to Wed afternoon at 6 players; DEAD AIR moves to Thu/Fri/Sat evenings at 6 players. Black Summer, The Favour and Mr Parker's Diary shift to the freed afternoons. Game folders renumbered to match. DEAD AIR reframed: an SS-Ahnenerbe unit built an acoustic chamber below the Fuehrerbunker to make one broadcast on the last night. The occult programme was not a regime finding power, it was something cultivating a regime that could build transmitters. Part One retitled Ash & Concrete. Bible gains a Handling the Nazi material section as a binding design constraint (no wonder-weapon glamour, victims named, bunker kept banal, no regalia in the art) and a six-player design section (Act Twos split 3+3). Flyer, Warhorn blurbs, schedule and production tracker rebuilt; flyer re-verified as a single A4 page. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
95 lines
4.8 KiB
Markdown
95 lines
4.8 KiB
Markdown
# Contingency 2027 — Schedule & GM Load
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**Wed 27 – Sun 31 January 2027 · Searles Leisure Resort, Hunstanton**
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## Running times
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> **Slot times below are placeholders.** Contingency 2026 ran three slots a day
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> (morning / afternoon / evening). Confirm the 2027 published times against
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> Warhorn before printing anything, then update this table.
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| Session | Assumed time | Play budget |
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|---|---|---|
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| Afternoon | 14:00 – 18:00 | 3h30 play + 10 min break |
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| Evening | 19:30 – 23:30 | 3h30 play + 10 min break |
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House rule: **3h30 of play in a 4-hour slot**, planned to ~3h15 of actual
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content. Session clock counts play time only and pauses for the break.
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## The grid
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| # | Day | Session | Game | System | PCs |
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|---|---|---|---|---|---|
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| 1 | Wed 27 | Afternoon | ANOTHER BLOODY TREASURE MAP | VANITY | 6 |
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| 2 | Wed 27 | Evening | AFTERIMAGE | Blade Runner RPG | 4 |
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| 3 | Thu 28 | Afternoon | BLACK SUMMER — Last Flight Out | Walking Dead Universe (modified) | 5 |
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| 4 | Thu 28 | **Evening** | DEAD AIR I — Ash & Concrete | Call of Cthulhu 7e | 6 |
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| 5 | Fri 29 | Afternoon | THE FAVOUR | The Dee Sanction | 5 |
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| 6 | Fri 29 | **Evening** | DEAD AIR II — The Quiet City | Call of Cthulhu 7e | 6 |
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| 7 | Sat 30 | Afternoon | THE CURIOUS CASE OF MR PARKER'S DIARY | Vaesen | 4 |
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| 8 | Sat 30 | **Evening** | DEAD AIR III — Full Volume | Call of Cthulhu 7e | 6 |
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| 9 | Sun 31 | Afternoon | *Reserve* | — | — |
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| 10 | Sun 31 | Evening | *Reserve* | — | — |
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## Why the slate sits this way
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- **DEAD AIR owns Thursday, Friday and Saturday nights.** Same session, three
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consecutive evenings: a player who wants the whole arc books one time of day
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and never clashes with themselves. Night suits it — this is the bleakest
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material on the slate and it wants a dark room and no daylight afterwards.
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Each part is written to stand alone for drop-ins.
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- **The trilogy runs at 6, the biggest tables of the week.** These are
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document-heavy investigations; more hands means more of the archive gets read,
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and every Act Two is built to split 3+3.
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- **Wednesday opens light.** Another Bloody Treasure Map is the arrival-day
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game — a loose comic dungeon crawl for a table that is half strangers and
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entirely unsettled — and AFTERIMAGE follows in the evening needing no prep
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at all, because it is already finished.
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- **Afternoons carry the variety.** Zombie survival (Thu), Elizabethan horror
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(Fri), Nordic folk horror (Sat) — each one a complete change of register from
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the Cthulhu that follows it that night.
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- **Never two bleak games in a row on the same day** is now impossible to fully
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honour, since every evening is Dead Air. The afternoons therefore do the
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balancing: Thursday's Black Summer is the only other genuinely grim game, and
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it sits before Part One rather than after it.
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- **Sunday is deliberately empty.** People leave, energy drops, and two reserve
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slots absorb overspill demand or a re-run without new prep. If Sunday evening
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never fills, that is a feature.
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## GM load check
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| Day | Games | Prep-heavy? | Notes |
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|---|---|---|---|
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| Wed | 2 | One (ABTM) | AFTERIMAGE is a port — read-through only. Gentle opening day |
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| Thu | 2 | Both | Black Summer, then Dead Air I. Heaviest day of the week |
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| Fri | 2 | Both | The Favour, then Dead Air II |
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| Sat | 2 | Both | Mr Parker's, then Dead Air III — the arc payoff, needs the most playtesting |
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| Sun | 0 booked | — | Reserve |
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**Consequence:** three consecutive nights of six-player Cthulhu is a demanding
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run for one GM, and the three afternoons before them are all new material too.
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The trilogy shares a setting bible, NPC lineage and art direction, which is what
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makes the count achievable — treat DEAD AIR as one production with three
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outputs, not three productions. If anything on the slate has to give, it is a
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Sunday reserve, never a playtest.
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## Prep deadlines (working back from 27 Jan 2027)
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| By | What |
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| End Sep 2026 | All eight scenario drafts at v1. Trilogy bible locked. |
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| End Oct 2026 | Pregens complete for all eight (three sets of six for the trilogy). First desk playtests on DEAD AIR I–III. |
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| End Nov 2026 | Playtest fixes applied (v2). Handouts and art briefs written. |
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| End Dec 2026 | Art generated, handouts laid out, GM console modules built. |
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| 10 Jan 2027 | Print pack produced: sheets, handouts, GM screens. |
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| 20 Jan 2027 | Read-throughs done. Everything marked convention-ready. |
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## Open logistics questions
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1. Confirmed slot times from Warhorn — the table above is assumed, not verified.
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2. **Table size at Searles: three of the eight games seat six.** Confirm the game
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rooms take a six-player table comfortably, or the trilogy drops to five.
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3. Whether the DEAD AIR trilogy can be flagged on Warhorn as a linked series with
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booking priority for players taking all three nights.
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4. Power/table space for the GM console tablet in the evening rooms.
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